the surface boils with the heads and tails of trout.
Perhaps, on the other hand, the melancholy one lives too much in the country. Then let him go to Paris or Vienna; let him try the Palais Royal, and spend a good deal of money in the shops. A course of this might have cured even Obermann, whom there was nothing to check or divert while he kept philandering on the mountains with the snows and his woes. There are plenty of such cures for a melancholy not yet incurable; change of air, scene, food, amusement, and occupation being the best. True, the Romans tried this, as Seneca and Lucretius tells us, and found themselves as much bored as ever. “No easier nor no quicker passed th’ impracticable hours.” But the Romans were very extreme cases.
When the cause of melancholy is religious or moral, there is little to be done with the victim. In “Sartor Resartus” he will read how Mr. Carlyle cured himself, if ever he was cured. To be brief, he said, “What then, who cares?” and indeed, in more reverent form of expression, it is all that can be said. When Nicias addressed the doomed and wasted
remnant of the Athenian expedition to Syracuse, he told them that “others, too, being men, had borne things which had to be endured.” That is the whole philosophy of the matter.
THACKERAY’S LONDON.
A house in a highly respectable square, where Jeames Yellowplush was in service, had recently the fame of being haunted. No one knew exactly what haunted this desirable mansion, or how, though a novelist was understood to have supplied a satisfactory legend. The young man who “investigated” the ghost rang the bell thrice violently, and then fell down dead, nor could he in any wise satisfy the curiosity of his friends. That fable is exploded. It was what is called an “ætiological myth;” by the learned it was merely a story devised to account for the fact that the house was not occupied. The imagination of man, confronted by so strange a problem as money running to waste, took refuge in the supernatural. Much more truly haunted than the house in “Buckley Square” are the streets of
London which are tenanted by the ghosts that genius created. These, having never been born, can never die, and still we may meet them in the roads and squares where they lived and took their pastime. Mr. Rideing, an American author, has published (with Messrs. Jarvis and Son) a little volume called “Thackeray’s London,” an account of the places which that great novelist made household words, and filled with genial spectres that time can never lay. Mr. Rideing’s little book does not strike us as being quite complete. Surely Thackeray, especially in the “Ballads,” mentions many places not alluded to by the new topographer. Besides, Mr. Rideing says that Thackeray’s readers forget the localities in which his characters appear. Surely this is a calumny on human memory. Who but thinks of Becky Sharp as he trudges down Curzon Street? Has Bryanston Square properly any reason for existence, except that the Hobson Newcomes dwelt there? Are the chambers of Captain Costigan forgotten by the memory of any man, or those of Pen and George Warrington? But Pen took better rooms, not so lofty, when he scored that success with “Walter Lorraine.”
Where did Mr. Bowes, the hopeless admirer of the Fotheringay, dwell? Every one should know, but that question might puzzle some. Or where was the lair of the Mulligan? Like the grave of Arthur, or of Molière, it is unknown; the whole of the postal district known as W. is haunted by that tremendous shade. “I live there,” says he, pointing down towards Uxbridge with the big stick he carries; so his abode is in that direction, at any rate. No more has been given to man to know.
Many minor reminiscences occur to the mind. In Pump Court we encounter the brisk little spectre of Mr. Frederick Minchin, and who can forget that his club was The Oxford and Cambridge, than which what better could he desire? Mr. Thackeray himself was a member of The Garrick, The Athenæum, and The Reform, but the clubs of many of his characters, like the “buth” of Jeames Yellowplush, are “wrapped up in a mistry.” They are alluded to by fancy names, but the scholiast on Thackeray will probably be able to identify them. Is it not time, by the way, for that scholiast to give his labours to the public? Thackeray’s world is passing; the children he knew, the boys he tipped and took to the
play, are middle-aged men—fogies, in fact. Tempus edax rerum, Time has an appetite as good as that of a boy at his first club dinner. The meaning of the great writer’s contemporary allusions may be lost, like those of Villon and Aristophanes. Such is the fate of comedy. Who knows, if we turn to Dickens, what the “common profeel machine” was, or what were the steps of the dance known as the Fanteag (the spelling is dubious); or what the author meant by a “red-faced Nixon.” Was it a nixie? Does the new Professor of the English Language and Literature at Oxford hope to cast the light of Teutonic research on these and similar inquiries? Sam Weller found that oysters always went hand-in-hand with poverty. How this must astonish a generation which finds the oyster nearly as extinct as the ichthyosaurus! The “Book of Snobs” calls aloud for a commentator. Who is the nobleman holding his boots out of the hotel window—an act which the Snob very properly declined to classify as snobbish? Who are the originals of Henry Foker (this, indeed, is known), and of Wagg and Wenham? Or did Wenham’s real name rhyme to Foker, as, according to the Mulligan,