CHAPTER XVIII. GREEK DIVINE MYTHS
Gods in myth, and God in religion—The society of the gods
like that of men in Homer—Borrowed elements in Greek
belief—Zeus—His name—Development of his legend—His
bestial shapes explained—Zeus in religion—Apollo—Artemis—
Dionysus—Athene—Aphrodite—Hermes—Demeter—Their names,
natures, rituals and legends—Conclusions.
In the gods of Greece, when represented in ideal art and in the best religious sentiment, as revealed by poets and philosophers, from Homer to Plato, from Plato to Porphyry, there is something truly human and truly divine. It cannot be doubted that the religion of Apollo, Athene, Artemis and Hermes was, in many respects, an adoration directed to the moral and physical qualities that are best and noblest. Again, even in the oldest Greek literature, in Homer and in all that follows, the name of the chief god, Zeus, might in many places be translated by our word "God".*
* Postea, "Zeus".
It is God that takes from man half his virtue on the day of slavery; it is God that gives to each his lot in life, and ensures that as his day is so shall his strength be. This spiritual conception of deity, undifferentiated by shape or attributes, or even by name, declares itself in the Homeric terms (——————) and in the (———) of Herodotus. These are spiritual forces or tendencies ruling the world, and these conceptions are present to the mind, even of Homer, whose pictures of the gods are so essentially anthropomorphic; even of Herodotus, in all things so cautiously reverent in his acceptation of the popular creeds and rituals. When Socrates, therefore, was doomed to death for his theories of religion, he was not condemned so much for holding a pure belief in a spiritual divinity, as for bringing that opinion (itself no new thing) into the marketplace, and thereby shocking the popular religion, on which depended the rites that were believed to preserve the fortune of the state.
It is difficult or impossible quite to unravel the tangled threads of mythical legend, of sacerdotal ritual, of local religion, and of refined religious sentiment in Greece. Even in the earliest documents, the Homeric poems, religious sentiment deserts, in moments of deep and serious thought, the brilliant assembly of the Olympians, and takes refuge in that fatherhood of the divine "after which all men yearn".*
* Odyssey, iii. 48.
Yet, even in Pausanias, in the second century of the Christian era, and still more in Plutarch and Porphyry, there remains an awful acquiescence in such wild dogmas and sacred traditions as antiquity handed down. We can hardly determine whether even Homer actually believed in his own turbulent cowardly Ares, in his own amorous and capricious Zeus. Did Homer, did any educated Greek, turn in his thoughts, when pain, or sorrow, or fear fell on him, to a hope in the help of Hermes or Athene? He was ready to perform all their rites and offer all the sacrifices due, but it may be questioned whether, even in such a god-fearing man as Nicias, this ritualism meant more than a desire to "fulfil all righteousness," and to gratify a religious sentiment in the old traditional forms.
In examining Greek myths, then, it must be remembered that, like all myths, they have far less concern with religion in its true guise—with the yearning after the divine which "is not far from any one of us," after the God "in whom we live, and move, and have our being"—than with the religio, which is a tissue of old barbarous fears, misgivings, misapprehensions. The religion which retained most of the myths was that ancient superstition which is afraid of "changing the luck," and which, therefore, keeps up acts of ritual that have lost their significance in their passage from a dark and dateless past. It was the local priesthoods of demes and remote rural places that maintained the old usages of the ancient tribes and kindreds—usages out of keeping with the mental condition of the splendid city state, or with the national sentiment of Hellenism. But many of the old tales connected with, and explanatory of, these ritual practices, after "winning their way to the mythical," as Thucydides says, won their way into literature, and meet us in the odes of Pindar, the plays of Æschylus and Sophocles, the notes of commentators, and the apologetic efforts of Plutarch and Porphyry. It is with these antique stories that the mythologist is concerned. But even here he need not loose his reverence for the nobler aspects of the gods of Greece. Like the archaeologist and excavator, he must touch with careful hand these—