Either the disputed objects at the Museum are actual relics of life lived in the Clyde basin many centuries ago; or the discoverers and excavators of the old sites are dogged by a forger who “dumps down” false relics of kinds unknown to Scottish antiquaries; or some of the unfamiliar objects are really old, while others are jocose imitations of these, or—there is some other explanation!
The modern “Clyde artists” are credited by Dr. Robert Munro with “some practical artistic skill,” and some acquaintance with the very old and mysterious designs on great rocks among
the neighbouring hills. [4] What man of artistic skill, no conscience, and a knowledge of archaic patterns is associated with the Clyde?
The “faker” is not the mere mischievous wag of the farm-house or the country shop. It is possible that a few “interpolations” of false objects have been made by another and less expert hand, but the weight of the problem rests on these alternatives,—the disputed relics which were found are mainly genuine, though unfamiliar; or a forger not destitute of skill and knowledge has invented and executed them—or—there is some other explanation.
Three paths, as usual, are open to science, in the present state of our knowledge of the question. We may pronounce the unfamiliar relics genuine, and prove it if we can. We may declare them to be false objects, manufactured within the last ten years. We may possess our souls in patience, and “put the objects to a suspense account,” awaiting the results of future researches and of new information.
This attitude of suspense is not without precedent in archaeology. “Antiquarian lore,” as Dr. Munro remarks by implication, can “distinguish
between true and false antiquities.” [5a] But time is needed for the verdict, as we see when Dr. Munro describes “the Breonio Controversy” about disputed stone objects, a controversy which began in 1885, and appears to be undecided in 1905. [5b] I propose to advocate the third course; the waiting game, and I am to analyse Dr. Munro’s very able arguments for adopting the second course, and deciding that the unfamiliar relics are assuredly impostures of yesterday’s manufacture.
II—DR. MUNRO’S BOOK ON THE MYSTERY
Dr. Munro’s acute and interesting book, Archaeology and False Antiquities, [6] does not cover the whole of its amusing subject. False gems, coins, inscriptions, statues, and pictures are scarcely touched upon; the author is concerned chiefly with false objects of the pre-historic and “proto-historic” periods, and with these as bearing on the Clyde controversy of 1896-1905. Out of 292 pages, at least 130 treat directly of that local dispute: others bear on it indirectly.
I have taken great interest in this subject since I first heard of it by accident, in the October or November of 1898. As against Dr. Munro, from whose opinions I provisionally dissent, I may be said to have no locus standi. He is an eminent and experienced archaeologist in matters of European pre-historic and proto-historic times.