The Australians have been very carefully studied by many observers, and the results entirely overthrow Mr. Huxley's bold statement that 'in its simplest condition, such as may be met with among the Australian savages, theology is a mere belief in the existence, powers, and dispositions (usually malignant) of ghost-like entities who may be propitiated or scared away; but no cult can properly be said to exist. And in this stage theology is wholly independent of ethics.'
Remarks more crudely in defiance of known facts could not be made. The Australians, assuredly, believe in 'spirits,' often malicious, and probably in most cases regarded as ghosts of men. These aid the wizard, and occasionally inspire him. That these ghosts are worshipped does not appear, and is denied by Waitz. Again, in the matter of cult, 'there is none' in the way of sacrifice to higher gods, as there should be if these gods were hungry ghosts. The cult among the Australians is the keeping of certain 'laws,' expressed in moral teaching, supposed to be in conformity with the institutes of their God. Worship takes the form, as at Eleusis, of tribal mysteries, originally instituted, as at Eleusis, by the God. The young men are initiated with many ceremonies, some of which are cruel and farcical, but the initiation includes ethical instruction, in conformity with the supposed commands of a God who watches over conduct. As among ourselves, the ethical ideal, with its theological sanction, is probably rather above the moral standard of ordinary practice. What conclusion we should draw from these facts is uncertain, but the facts, at least, cannot be disputed, and precisely contradict the statement of Mr. Huxley. He was wholly in the wrong when he said: 'The moral code, such as is implied by public opinion, derives no sanction from theological dogmas,'[7] It reposes, for its origin and sanction, on such dogmas.
The evidence as to Australian religion is abundant, and is being added to yearly. I shall here content myself with Mr. Howitt's accounts.[8]
As regards the possible evolution of the Australian God from ancestor-worship, it must be noted that Mr. Howitt credits the groups with possessing 'headmen,' a kind of chiefs, whereas some inquirers, in Brough Smyth's collection, disbelieve in regular chiefs. Mr. Howitt writes:—
'The Supreme Spirit, who is believed in by all the tribes I refer to here [in South-Eastern Australia], either as a benevolent, or more frequently as a malevolent being, it seems to me represents the defunct headman.'
Now, the traces of 'headmanship' among the tribes are extremely faint; no such headman rules large areas of country, none is known to be worshipped after death, and the malevolence of the Supreme Spirit is not illustrated by the details of Mr. Howitt's own statement, but the reverse. Indeed, he goes on at once to remark that 'Darumulun was not, it seems to me, everywhere thought a malevolent being, but he was dreaded as one who could severely punish the trespasses committed against these tribal ordinances and customs whose first institution is ascribed to him.'
To punish transgressions of his law is not the essence of a malevolent being. Darumulun 'watched the youths from the sky, prompt to punish, by disease or death, the breach of his ordinances,' moral or ritual. His name is too sacred to be spoken except in whispers, and the anthropologist will observe that the names of the human dead are also often tabooed. But the divine name is not thus tabooed and sacred when the mere folklore about him is narrated. The informants of Mr. Howitt instinctively distinguished between the mythology and the religion of Darumulun.[9] This distinction— the secrecy about the religion, the candour about the mythology—is essential, and accounts for our ignorance about the inner religious beliefs of early races. Mr. Howitt himself knew little till he was initiated. The grandfather of Mr. Howitt's friend, before the white men came to Melbourne, took him out at night, and, pointing to a star, said: 'You will soon be a man; you see Bunjil [Supreme Being of certain tribes] up there, and he can see you, and all you do down here.' Mr. Palmer, speaking of the Mysteries of Northern Australians (mysteries under divine sanction), mentions the nature of the moral instruction. Each lad is given, 'by one of the elders, advice so kindly, fatherly, and impressive, as often to soften the heart, and draw tears from the youth.' He is to avoid adultery, not to take advantage of a woman if he finds her alone, he is not to be quarrelsome.[10]
At the Mysteries Darumulun's real name may be uttered, at other times he is 'Master' (Biamban) or 'Father' (Papang), exactly as we say 'Lord' and 'Father.'
It is known that all these things are not due to missionaries, whose instructions would certainly not be conveyed in the Bora, or tribal mysteries, which, again, are partly described by Collins as early as 1798, and must have been practised in 1688. Mr. Howitt mentions, among moral lessons divinely sanctioned, respect for old age, abstinence from lawless love, and avoidance of the sins so popular, poetic, and sanctioned by the example of Gods, in classical Greece.[11] A representation is made of the Master, Biamban; and to make such idols, except at the Mysteries, is forbidden 'under pain of death.' Those which are made are destroyed as soon as the rites are ended.[12] The future life (apparently) is then illustrated by the burial of a living elder, who rises from a grave. This may, however, symbolise the 'new life' of the Mystae, 'Worse have I fled; better have I found,' as was sung in an Athenian rite. The whole result is, by what Mr. Howitt calls 'a quasi-religious element,' to 'impress upon the mind of the youth, in an indelible manner, those rules of conduct which form the moral law of the tribe.'[13]
Many other authorities could be adduced for the religious sanction of morals in Australia. A watchful being observes and rewards the conduct or men; he is named with reverence, if named at all; his abode is the heavens; he is the Master and Lord of things; his lessons 'soften the heart,'[14]