Homer, thy song men liken to the sea
With all the notes of music in its tone,
With tides that wash the dim dominion
Of Hades, and light waves that laugh in glee
Around the isles enchanted; nay, to me
Thy verse seems as the River of source unknown
That glasses Egypt’s temples overthrown
In his sky-nurtured stream, eternally.

No wiser we than men of heretofore
To find thy sacred fountains guarded fast;
Enough, thy flood makes green our human shore,
As Nilus Egypt, rolling down his vast
His fertile flood, that murmurs evermore
Of gods dethroned, and empires in the past.

THE BURIAL OF MOLIÈRE.

(AFTER J. TRUFFIER.)

Dead—he is dead! The rouge has left a trace
On that thin cheek where shone, perchance, a tear,
Even while the people laughed that held him dear
But yesterday. He died,—and not in grace,
And many a black-robed caitiff starts apace
To slander him whose Tartuffe made them fear,
And gold must win a passage for his bier,
And bribe the crowd that guards his resting-place.

Ah, Molière, for that last time of all,
Man’s hatred broke upon thee, and went by,
And did but make more fair thy funeral.
Though in the dark they hid thee stealthily,
Thy coffin had the cope of night for pall,
For torch, the stars along the windy sky!

BION.

The wail of Moschus on the mountains crying
The Muses heard, and loved it long ago;
They heard the hollows of the hills replying,
They heard the weeping water’s overflow;
They winged the sacred strain—the song undying,
The song that all about the world must go,—
When poets for a poet dead are sighing,
The minstrels for a minstrel friend laid low.

And dirge to dirge that answers, and the weeping
For Adonais by the summer sea,
The plaints for Lycidas, and Thyrsis (sleeping
Far from ‘the forest ground called Thessaly’),
These hold thy memory, Bion, in their keeping,
And are but echoes of the moan for thee.

SPRING.