The following is the mode of conducting the cupellation. Before putting the lead into the furnace, a floor is made in it of ashes beat carefully down (see 6, [fig. 1010.]); and there is left in the centre of this floor a circular space, somewhat lower than the rest of the hearth, where the silver ought to gather at the end of the operation. The cupel is fully six feet in diameter.

In forming the floor of a cupel, 35 cubic feet of washed wood ashes, usually got from the soap works, are employed. The preparation of the floor requires 212 hours’ work; and when it is completed, and the movable dome of iron plate has been lined with loam, 84 quintals (cwt.) of lead are laid on the floor, 42 quintals being placed in the part of the furnace farthest from the bellows, and 42 near to the fire-bridge; to these, scoriæ containing lead and silver are added, in order to lose nothing. The movable lid is now luted on the furnace, and heat is slowly applied in the fireplace, by burning fagots of fir-wood, which is gradually raised. [Section 1010.] is in the line C, D, of [1009.]

At the end of three hours, the whole lead being melted, the instant is watched for when no more ebullition can be perceived on the surface of the bath or melted metal; then, but not sooner, the bellows are set a-playing on the surface at the rate of 4 or 5 strokes per minute, to favour the oxidizement.

In five hours, reckoned from the commencement of the process, the fire is smartly raised; when a grayish froth (abstrich) is made to issue from the small aperture x of the furnace. This is found to be a brittle mixture of oxidized metals and impurities. The workman now glides the rake over the surface of the bath, so as to draw the froth out of the furnace; and, as it issues, powdered charcoal is strewed upon it, at the aperture x, to cause its coagulation. The froth skimming lasts for about an hour and a half.

After this time, the litharge begins to form, and it is also let off by the small opening x; its issue being aided by a hook. In proportion as the floor of the furnace gets impregnated with litharge, the workman digs in it a gutter for the escape of the liquid litharge: it falls in front of the small aperture, and concretes in stalactitic forms.

By means of the two movable valves suspended before the tuyères n, n, ([fig. 1010.]) the workman can direct the blast as he will over the surface of the metal. The wind should be made to cause a slight curl on the liquid, so as to produce circular undulations, and gradually propel a portion of the litharge generated, towards the edges of the cupel, and allow this to retain its shape till the end of the operation. The stream of air should drive the greater part of the litharge towards the small opening x, where the workman deepens the outlet for it, in proportion as the level of the metal bath descends, and the bottom of the floor rises by the apposition of the litharge formed. Litharge is thus obtained during about 12 hours; after which period the cake of silver begins to take shape in the centre of the cupel.

Towards the end of the operation, when no more than four additional quintals of litharge can be looked for, and when it forms solely in the neighbourhood of the silver cake in the middle of the floor, great care must be taken to set apart the latter portions, because they contain silver. About this period, the fire is increased, and the workman places before the little opening x a brick, to serve as a mound to the efflux of litharge. The use of this brick is,—1, to hinder the escape of the silver in case of any accident; for example, should an explosion take place in the furnace; 2, to reserve a magazine of litharge, should that still circulating round the silver cake be suddenly absorbed by the cupel, for in this dilemma the litharge must be raked back on the silver; 3, to prevent the escape of the water that must be thrown on the silver at the end of the process.

When the argentiferous litharge, collected in the above small magazine, is to be removed, it is let out in the form of a jet, by the dexterous use of the iron hook.

Lastly, after 20 hours, the silver cake is seen to be well formed, and nearly circular. The moment for stopping the fire and the bellows is indicated by the sudden disappearance of the coloured particles of oxide of lead, which, in the latter moments of oxidation, undulate with extreme rapidity over the slightly convex surface of the silver bath, moving from the centre to the circumference. The phenomenon of their total disappearance is called the lightning, or fulguration. Whenever this occurs, the plate of silver being perfectly clean, there is introduced into the furnace, by the door q, a wooden spout, along which water, previously heated, is carefully poured on the silver.