Another carmine with tartar.—To the boiling water the cochineal is added, and after some time a little cream of tartar; in eight minutes more we add a little alum, and continue the boiling for a minute or two longer. Then take it from the fire and pour it into glass or porcelain vessels, filter and let it repose quietly till the carmine falls down. We then decant and dry in the shade. The proportions are 8 pounds of water, 8 oz. of cochineal, 12 oz. of cream of tartar, 34 oz. of alum, and the product is an ounce of carmine.

The process of Alxon or Langlois.—Boil two pails and a half of river water (30 pints), throw into it, a little afterwards, a pound of cochineal, add a filtered solution of six drachms of carbonate of soda and a pound of water, and let the mixture boil for half an hour; remove the copper from the fire, and let it cool, inclining it to one side. Add six drachms of pulverized alum, stir with a brush to quicken the solution of the salt, and let the whole rest 20 minutes. The liquor, which has a fine scarlet colour, is to be carefully decanted into another vessel, and there is to be put into it the whites of two eggs well beat up with half a pound of water. Stir again with a brush. The copper is replaced on the fire, the alumina becomes concrete, and carries down the colouring matter with it. The copper is to be taken from the fire, and left at rest for 25 or 30 minutes to allow the carmine to fall down. When the supernatant liquor is drawn off, the deposit is placed upon filter cloth stretched upon a frame to drain. When the carmine has the consistence of cream cheese, it is taken from the filter with a silver or ivory knife and set to dry upon plates covered with paper, to screen it from dust. A pound of cochineal gives in this way an ounce and a half of carmine.

Process of Madame Cenette of Amsterdam, with salt of sorrel.—Into six pails of river water boiling hot throw two pounds of the finest cochineal in powder, continue the ebullition for two hours and then add 3 oz. of refined saltpetre, and after a few minutes 4 oz. of salt of sorrel. In ten minutes more take the copper from the fire and let it settle for four hours; then draw off the liquor with a syphon into flat plates and leave it there for three weeks. Afterwards there is formed upon the surface a pretty thick mouldiness, which is to be removed dexterously in one pellicle by a slip of whalebone. Should the film tear and fragments of it fall down, they must be removed with the utmost care. Decant the supernatant water with a syphon, the end of which may touch the bottom of the vessel, because the layer of carmine is very firm. Whatever water remains must be sucked away by a pipette. The carmine is dried in the shade, and has an extraordinary lustre.

Carmine by the salt of tin, or the Carmine of China.—Boil the cochineal in river water, adding some Roman alum, then pass through a fine cloth to remove the cochineal, and set the liquor aside. It becomes brighter on keeping. After having heated this liquor, pour into it drop by drop solution of tin till the carmine be precipitated. The proportions are one pailful of water, 20 oz. of cochineal and 60 grains of alum, with a solution of tin containing 4 oz. of the metal.

To revive or brighten carmine.—We may brighten ordinary carmine, and obtain a very fine and clear pigment, by dissolving it in water of ammonia. For this purpose we leave ammonia upon carmine in the heat of the sun, till all its colour be extracted, and the liquor has got a fine red tinge. It must be then drawn off and precipitated, by acetic acid and alcohol, next washed with alcohol, and dried. Carmine dissolved in ammonia has been long employed by painters, under the name of liquid carmine.

Carmine is the finest red colour which the painter possesses. It is principally employed in miniature painting, water colours, and to tint artificial flowers, because it is more transparent than the other colours. For Carminium, see [Cochineal].

CARPET. (Tapis, Fr.; Teppich, Germ.) A thick woollen fabric of variegated colours, for covering the floors of the better sort of apartments. This luxurious manufacture took its origin in Persia and Turkey, whence the most beautiful patterns were wont to come into Europe; but they have been for some time surpassed by the workmanship of France, Great Britain, and Belgium. To form a just conception of the elegant and ingenious processes by which carpets are made, we should visit the royal establishment of the Gobelins at Paris, where we would see the celebrated carpet manufactory of the Savonnerie, which has been transported thither. A detailed set of engravings of this art is given by Roland de la Platière in the first and second volumes of the Encyclopédie Méthodique, to which I must refer my readers, as a due exposition of its machines and operations would far exceed the scope of the present volume.

The warp, says M. Roland, being the foundation of the fabric, ought to be of fine wool, equally but firmly spun, and consist of three yarns twisted into one thread. The yarns that are to form the velvety surface of the carpet, ought also to be of the best quality, but soft and downy in their texture, so that the dye may penetrate every filament. Hemp, or linen yarns, are likewise employed in this manufacture, as a woof, to bind the warp firmly together after each shoot of the velvety threads. Thus we see that good carpeting consists essentially of two distinct webs woven at the same time, and firmly decussated together by the woof threads. Hence the form of the pattern is the same upon the two sides of the cloth, only the colours are reversed, so that what was green upon one side becomes red or black upon the other, and vice versâ. The smaller the figures the more frequent the decussations of the two planes, and the firmer and more durable the fabric.

The carpet manufacture, as now generally practised, may be distributed into two systems—that of double fabrics, and that cut in imitation of velvet. Of late years the [Jacquard loom] has been much used in weaving carpets, the nature of which will be found fully explained under that title.