"It isn't an autograph album (though I'd be glad to have your name in mine, all the same, if I may bring it some day), it is this: I've a friend at school, Bess Haselford, who plays the violin very well. She has lessons from Signor Chianti. She goes to all your recitals, and she would so love some time to try a piece over with the organ. Do you think, some day when you are in the Abbey, you could let her? I know it's fearful cheek to ask you!"
"Why, bring her by all means," said Dr. Linton heartily. "Let me see, I have an organ pupil to-morrow at 3.30. Suppose you come at half-past four, and I'll give her ten minutes with pleasure. I can fit it in before the choir practice, I dare say."
"Oh, thank you!" exclaimed Ingred. "We can come straight on from school."
It was delightful to have caught Dr. Linton in such an amiable mood. Ingred hastened to tell the good news to Bess, and also to beg the necessary permission from Miss Burd.
Bess, greatly thrilled, turned up next afternoon with her violin and music-case, and when classes were over they walked across to the Abbey. The pupil was just finishing his lesson, and some rather extraordinary sounds were palpitating among the arches and pillars of the old Minster.
"It must take ages to learn to manage all those stops and pedals properly," commented Bess. "I'm glad a violin has only four strings—they're quite enough!"
They sat in a pew, and waited till the lesson was over, then ventured into the chancel. Dr. Linton saw them in the looking-glass which hung over his seat, and turning round beckoned them to him.
"So you want to hear what it's like to play with an organ?" he said kindly to Bess, sounding the notes for her to tune her violin, and at the same time turning over her music. "What have we got here? It must be something I know, so that I can improvise an accompaniment. Let us try this Impromptu. Don't be afraid of your instrument, and bring the tone well out. Remember, you're in a church, and not in a drawing-room."
Bess, fluttered, nervous, but fearfully excited and pleased, declared herself ready, and launched into the Impromptu. Dr. Linton accompanied her with the finished skill of a clever musician. He subdued the organ just sufficiently to allow the violin to lead, but brought in such a beautiful range of harmonies that the piece really became a duet.
"Why, that's capital!" he declared at the conclusion. "What else have you inside that case? We'll have this Prelude now; it's rather a favorite of mine. The Bourrée? Oh, we'll take that afterwards!"