"They'll both of them absolutely have to be towed through life!" thought Mavis. "I could shake the whole family sometimes. Beata's the most practical, but the others might have strayed out of a poetry book! Of course they're all perfectly charming and romantic, but you want to frame them and glaze them and hang them in exhibitions, not set them to do ordinary every-day things. They don't fit somehow into the twentieth century. Lorraine stirs them up like yeast. She'll be the making of Morland if she elects to take on so big a job."
The Ramsay girls were very much attracted by the Macleods. They liked Fay and her father and mother, whose experience of the world and sensible views appealed to them. They often went to Bella Vista and enjoyed a chat, or sat looking at American art magazines, while Morland, who could not keep away from the grand piano, sat improvising memories of Debussy or compositions of his own. Mrs. Macleod was one of those delightful women who can appreciate other people's daughters as well as their own. Her adoration for Fay did not hinder her from genuinely admiring Mavis and Merle and Romola, and the other young friends who flocked to her hospitable house. She had a nice word for them all, and was so sympathetic that they always wanted to tell her of their little achievements. It was a most congenial atmosphere.
"She's such a dear!" commented Mavis. "Now when Fay and I went out painting together, she praised my sketch, although it was a daub compared with Fay's! Once I was silly enough to show one of my efforts to Mrs. Earnshaw; she put on her pince-nez, and looked at it most critically, and said,' Oh, you must see Opal's work! She's done some really beautiful paintings at Brackenfield! They know how to teach there!' I felt so squashed!"
"Mrs. Earnshaw is the limit!" agreed Merle. "The last time I went to tea there-when you had a cold and couldn't go-she asked me to play the piano. I'd brought my music, but I didn't like to seem too anxious, so I said I'd rather not. 'Oh, never mind then!' she said, 'you play something, darling!' (to Opal). And then she whispered proudly to me, 'Opal plays magnificently since she's been to Brackenfield!' I wanted to sing out 'Cock-a-doodle-doo!' only I remembered my manners. Then a friend came in, and she introduced us. 'This is Miss Ramsay,' she said casually, 'and this (with immense pride) is our daughter Opal!' I felt inclined to quote, 'Look on this picture and on that!' It was so evident which of us he was expected to take notice of! I simply wasn't to be in it at all!"
"Opal's more decent, though, since she's been at Brackenfield."
"There was room for improvement. I shall never like her, not if I know her to all eternity."
The glorious three weeks at Chagmouth were over at last, and there would be no more picnics on the beach, or walks down primrose-decked lanes, or rambles on the cliffs, or merry parties at The Haven or Bella Vista, or expeditions in search of flowers or shells. The girls were almost weeping when it came to saying good-bye to Burswood Farm, and to Mr. and Mrs. Treasure, and William and little Connie, and Ethel the small servant (brought up from the village to wait on the visitors), and Charlie, the boy who helped to milk the cows and weed the fields. Mavis and Merle had been very busy concocting one of their wonderful rhyming effusions, and wrote it in the Visitors' Book, much to the delight of their landlady, who appreciated such souvenirs.
Who welcomed us to Burswood Farm
Amid the heart of Devon's charm,
With skies so blue and seas so calm?
'Twas Mrs. Treasure.
Who was it chopped our logs of wood
To make our fires so bright and good,
And brought from Durracombe our food?
'Twas Mr. Treasure.
Who brought our luggage to the door
And then went back to fetch some more,
And showed us cows and pigs galore?
'Twas Charlie.