Katrine always rode her hobbies hard. The acquisition of the oak spice-cupboard had started her in a new line. She now posed as a collector of antiques. She borrowed some books from Mr. Freeman, and after a brief study of their contents began to talk glibly of the Sheraton and Heppelwhite periods, Adams chimney-pieces, and soft paste Worcester china. She aired her new-found knowledge so ceaselessly, in season and out of season, that the girls, always ready to take offence at her superior attitude, began to make fun of her. They chuckled audibly when Mrs. Franklin, more mathematical than artistic, made her calculate the cubic contents of her cupboard as a problem in class, especially as her answer was wrong, and she had to work the sum again. All sorts of mock treasures were presented to her: rusty nails, old tins, scraps of leather dug up from the garden, or pieces of worm-eaten wood. One morning the following poetic gem was left on her dressing-table. The authoress was apparently too modest to sign her name, so the lines were anonymous.
"There was a collector of Oak,
She knew more than ordin'ry folk!
On pastes soft or hard
She'd hold forth by the yard,
And now she's become quite a joke!"
Fortunately Katrine possessed a sense of humour that counterbalanced the strain of priggishness in her composition. She laughed at the effusion and took the hint. She was perhaps conscious that she had been "putting on side" rather too vigorously, and that it would be judicious to climb down.
"It's Viola who wrote it, I'm certain," she confided to Gwethyn. "Look here! I vote we play a joke on the school. I've thought of something rather fine."
The two girls put their heads together, and had a long confabulation. The result they confided to nobody, but during the afternoon they were observed to be hunting round the garden and orchard, apparently in search of something. Next day, Katrine studied the time-table carefully, and ascertained that the studio would be unoccupied by any classes from 3.30 to 4 p.m. Making the excuse that she wished to touch up some sketches there, she easily persuaded Miss Aubrey to excuse part of her outdoor work that afternoon, and returning to Aireyholme at half-past three, she secured undisturbed possession of the room for half an hour. She did not spend the time in painting, though she was extremely busy. When the girls trooped from their forms at four o'clock, they found a large and prominent notice posted up in the passage.
A choice and unique Collection of Antiques and Curios is now on view in the Studio, and forms an unparalleled opportunity of making acquaintance with the domestic arts and industries of the Middle Ages. Many objects of historic interest. Inspection Invited. Admission Free. Catalogues One Penny.
Proceeds given to the Belgian Relief Fund.
Everybody at once marched upstairs; even Dorrie and Viola, who were inclined to hold aloof, fell victims to Eve's instinct of curiosity, and followed the rest, excusing their weakness on the ground that as monitresses they felt obliged to be present at all school happenings, and were thus only fulfilling their duty.
Giggling a little, the girls entered the studio. The large table in the centre was spread with a variety of objects, neatly numbered as in a museum. By the door stood Katrine with a pile of hand-printed catalogues, and the Belgian Relief Fund Box from the dining-room chimney-piece. As the exhibition seemed unintelligible without a catalogue, the pennies rattled briskly into her box. The exhibits were as diverse as they were extraordinary, and according to the descriptions were both rare and historic.
No. 1. (Upper leather of a mouldy old boot.) Portion of the footgear of Simon de Montfort, worn before the Battle of Evesham, 1265.
No. 2. (A broken crock of china.) Valuable piece of soft paste Worcester from the Huntingdon Collection.
No. 3. (A rusty hairpin.) Pin worn in the head-dress of Queen Elizabeth at the Kenilworth Pageant.
No. 4. (A crooked nail.) Nail from the gibbet of Piers Gaveston, executed at Blacklow Hill, Warwick, 1312.
No. 5. (A dilapidated horseshoe.) Shoe worn by the horse of Charles I at the Battle of Nottingham, 1642.
No. 6. Glove button of Marie Antoinette.
No. 7. Needle used in embroidery by Mary Queen of Scots.
No. 8. Safety-pin employed in the toilet of Edward VI when an infant.
No. 9. Portion of feeding-bottle of Henry VIII.
No. 10. Do. fragment of rattle.
No. 11. (A worm-eaten piece of wood.) Relic of vessel of the Spanish Armada.
No. 12. (Rusty cocoa tin.) Remains of cup in which the Barons drank success to Magna Charta, 1215.
No. 13. (A small pebble.) Stone worn as a penance in the shoe of Henry II, on a pilgrimage to the shrine of St. Thomas à Becket.
No. 14. (A portion of wickerwork.) Fragment of guillotine basket used in French Revolution.
No. 15. (A rusty key.) Original key of dungeon in Berkeley Castle where Edward II was murdered.
No. 16. (A shabby quill.) Pen used to sign Magna Charta, 1215.
The girls laughed immoderately to see the various objects which they had presented in mockery to Katrine, described as such priceless relics.