A poor black paint lay very unhappy in its tube. It had tumbled out of an artist’s color-box and had lain unnoticed for a year. “I am only Lampblack,” he said to himself. “The master never looks at me: he says I am heavy, dull, lusterless, useless. I wish I could cake and dry up and die, as poor Flakewhite did.”
But Lampblack could not die; he could only lie in his tin tube and pine, like a silly, sorrowful thing as he was, in company with some broken bits of charcoal and a rusty palette-knife. The master never touched him; month after month passed by, and he was never thought of; the other paints had all their turn of fair fortune, and went out into the world to great halls and mighty palaces, transfigured and rejoicing in a thousand beautiful shapes and services. But Lampblack was always passed over as dull and coarse. Indeed he knew himself to be so, poor fellow, and this made it all the worse. “You are only a deposit!” said the other colors to him; and he felt that it was disgraceful to be a deposit, though he was not quite sure what it meant.
“If only I were happy like the others!” thought poor, sooty Lampblack, sorrowful in his corner. “There is Bistre, now, he is not so very much better-looking than I am, and yet they can do nothing without him, whether it is a girl’s face or a wimple in a river!”
The others were all so happy in this beautiful bright studio, where the open casements were hung with green myrtle, and where the silence was filled with the singing of nightingales. Cobalt, with a touch or two, became the loveliness of summer skies at morning; the Lakes and Carmines bloomed in a thousand exquisite flowers and fancies; the Chromes and Ochres (mere dull earths) were allowed to spread themselves in sheets of gold that took the shine of the sun into the darkest places; Umber, a somber and gloomy thing, could lurk in a child’s curls and laugh in a child’s smiles; whilst all the families of the Vermilions, the Blues, the Greens, lived in a perpetual glory of sunset or sunrise, of ocean waves or autumn woods, of kingly pageant or of martial pomp.
It was very hard. Poor Lampblack felt as if his very heart would break, above all when he thought of pretty little Rose Madder, whom he loved dearly, and who never would even look at him, she was so proud, because she was always placed in nothing less than rosy clouds, or the hearts of roses, or something as fair and spiritual.
“I am only a wretched deposit!” sighed Lampblack, and the rusty palette-knife grumbled back, “My own life has been ruined in cleaning dirty brushes!”
“But at least you were of use once; but I never am,—never!” said Lampblack. And indeed he had been there so long that the spiders had spun their silver fleeces all about him, and he was growing as gray as an old bottle does in a dark cellar.
At that moment the door of the studio opened, and there came a flood of light, and the step of a man was heard; the hearts of all the colors jumped for joy. It was their magician, who out of mere common clays and ground ores could raise them at a touch into splendors immortal.
Only the heart of poor dusty Lampblack did not beat a throb the more, because he was always left alone and never was thought worthy of even a glance. But he could not believe his senses when the master crossed the floor to the dark corner where he lay under the spiders’ webs. Lampblack felt sick and faint with rapture. Had his turn come at last?
The master took him up. “You will do for this work,” he said; and Lampblack was borne trembling to an easel. The colors, for once neglected, crowded together to watch, looking in their bright tin tubes like rows of little soldiers in armor.