The changeableness of the twilights must have served very well to express the mobility of the ears of an ass. In the story of the ass, Midas, the musical critic, the predestined ass, pronounces in favour of Pan; and he does so not only on account of the consanguinity between himself and the god, but also from a patriotic feeling. Pan was born in a forest of Arcadia, of Zeus and the nymph Kallisto; and it is well known that antiquity celebrated the asses of Arcadia above those of every other country. The ass as a musician, the ass as a musical critic, Pan the musician, and Pan preferred by the ass, are the same person. Arcadia, the country of pastoral music, of whistling shepherds, which made the Italy of the seventeenth and eighteenth centuries bleat out so many useless verses, the country of Pan the satyr, par excellence, is the country of the ass. Arcadia is the most mountainous and wooded part of Greece,[726] and therefore, when the Olympians came down from heaven, celestial nymphs and satyrs came to people the forests and fountains of Arcadia. The divine guardian of the ambrosia in the heavenly cloud takes, in the Arcadian forest, the form of Pan, god of shepherds, who keeps guard over the honey. The gandharvâs, who danced and sung in the Hindoo Olympus with the apsarasas, has descended into Arcadia in the shape of Pan, to dance and sing with the nymphs.[727] Pan who goes alone into the gloomy forest, Pan who chases fear away, connected as he is with the story of the ass, reminds us on the one hand of the superstition recorded by Pliny, to the effect that an ass's skin put upon children chases fear from them[728] (in the same way as in the province of Girgenti, in Sicily, it is believed that shoes made of a wolf's skin, put on children's feet, make them daring and lucky in battle), and, on the other hand, of the unpublished Piedmontese story of the fearless Giovannino, who, in reward for his courage in going alone to hell, brings away with him an ass which throws gold from its tail.[729] In Tzetzas[730] I find again the curious notion that Midas sold his own stercus out of avarice, that is, that he changed it into gold, as Vespasian used to do by selling the excrement of his horse.
The Æsopian ass, when he goes to battle, terrifies by his braying all the animals of the forest; so Pan defeats his enemies by means of his terrible voice; and according to Herodotus,[731] in the heroic battle of Marathon, the Athenians were helped by the powerful voice of the god Pan. Finally, as we have seen Apollo to be the rival of Pan and the enemy of the Phrygian Midas, the predestined ass, as well as of the Trojans, so, in the eleventh of the Pythic odes of Pindar, we find the hero Perseus, among the Hyperboreans,[732] eating asses.[733] The morning sun devours the ass of night, as we have seen the solar hero Rustem do in the Shah-Name, where he eats the wild asses.
But we must look for more mythical personages in connection with the ass Midas in Arcadia, as the region of Pan and of asses. The ass Midas is considered as a rich progenitor of races, and is supposed to have been the first Phrygian. Windischmann has already observed (with the examples of Yamas, Yima, Manus, Minos, and Radamanthüs) the connection between the rich progenitor of races and the rich king or judge of hell. To Midas the progenitor and to Midas the judge, corresponds the ass whose excrements are of gold, the ass judge and prophet, the Arcadian and prophetic Pan. The Arcadians considered themselves not only autocthonoi, but proselênoi, or anterior to the moon. But they are also considered in the light of inhabitants of an infernal region. In Arcadia was situated the lake Stümphalos, the demoniacal birds of which were slain by Hêraklês in Arcadia; in a chasm formed of wild rocks was the source of the Styx, the principal infernal river, that by which the Hellenic infernal beings were accustomed to swear. Greek and Latin writers used to narrate of the ass (and the mule) that it had an especial aversion to the water of the Styx, as being poisonous. This superstition, when referred to the myth, appears to mean that, when the solar hero drinks this water—the water of the dark or cloudy ocean—he becomes a dark ass. (We find in Russian stories the hero who is transformed into a bull, a horse, or a he-goat, when he drinks water of which a demoniacal bull, horse, or he-goat has previously drunk.) Ælianos, in his tenth book relative to animals, speaking of the horned asses of Scythia, writes that they held in their horns the water of the Styx. A similar narrative is given by Philostratos in the third book of his romantic Life of Apollonios, concerning the fabulous horned ass of India. "It is said," he writes, "that in the marshy ground near the Indian river Hyphasis many wild asses are to be found; and that these wild beasts have on their heads a horn with which they fight bravely like bulls" (this seems to be a reminiscence of the Indian rhinoceros); "and that the Indians form out of these horns drinking-cups, affirming that those who drink out of these cups are delivered from every illness for all that day; when wounded they feel no pain, they pass safely through flames, nor, when they have drunk out of it, can they be hurt by any poison. They say that these cups belong to kings alone, nor is it permitted to any other than a king to hunt the animal. It is narrated that Apollonios (the hero of the romance) had seen this animal and observed its nature with wonder. Moreover, to Damis, who asked him whether he had faith in what was commonly said concerning the virtue of this cup, he answered 'I will believe it when I shall have learned that in this country the king is immortal.'" And no doubt Apollonios would have believed had it been impossible for him to divine that the king who makes use of this marvellous cup is the immortal sun, to whom alone it is reserved to kill the ass of the nocturnal forest, the ass whose hairy ears are like horns,[734] whose ears are of gold.
The horn of the Scythian ass full of Stygian water, the horn of the ass which, when used as a cup, gives health and happiness to him who drinks out of it, remind us (not to speak of Samson's jaw-bone of an ass, which makes water flow) especially of the myth of the cornucopia and that of the goat, with which the satyrs and fauns, having goat's feet, stand in particular connection. It is also for this reason that the ass is found in relation with Pan; wherefore it is too that Silenos rides upon an ass, and appears, as we have already seen, in the story of Midas, in his garden of roses; indeed the mythical centaurs or onocentaurs, satyr, faun, ass, and goat are equivalent expressions. We have seen, a few pages back, the Zendic three-legged ass; in the following chapter we shall find the lame goat.
As the ass was ridden by Silenos,[735] so was he the animal dedicated to Bacchus and to Priapos, whose mysteries were celebrated in the Dionysian feasts. It is said that when Bacchus had to traverse a marsh, he met with two young asses, and was conveyed by one of them, who was endowed with human speech, to the other side without touching the water. (The 116th hymn of the first book of the Ṛigvedas merits being especially compared with this. In it, immediately after having represented the Açvinâu as drawn by winged asses, the poet celebrates the Açvinâu as delivering the hero Bhugyus out of the waters upon a vessel that moved of itself in the air.)[736] On this account it is said that Bacchus, in gratitude, placed the two young asses among the stars.[737] This is another confirmation of the fact that the mythical ass really had the virtue of flying; and the proverb "Asinus si volat habet alas"[738] alludes to this myth. The fable of the ass who wishes to fly, and the flight of the ass, are derisive allusions, applied to the earthly ass. The celestial myth lingers in the memory, but is no longer understood.
In the myth of Prometheus, in Ælianos (vi. 5), we have the ass who carries the talisman which makes young again, which Zeus intended for him who should discover the robber of the divine fire (Prometheus). The ass, being thirsty, approaches a fountain, and is about to drink, when a snake who guards the fountain prevents him from doing so. The ass offers the snake the charm which he is carrying, upon which the serpent strips off its old age, and the ass, drinking at the fountain, acquires the power of becoming young again. The ass of night, when he drinks the dew of the dawn, grows young and handsome again every day. It is on this account, I repeat, that youth is celebrated as a peculiar virtue of the ass; it is on this account that the Romans attributed a great cosmetic virtue to ass's milk[739] (the white dawn, or moon).
The mythical ass seems to die every day, whereas, on the contrary it is born anew every day, and becomes young again; whence the Greek proverb does not celebrate the death in the singular, but the deaths of the ass ("Onou thanatous").
The Italian proverb of the ass that carries wine and drinks water, probably alludes to the ass that carries the water of youth, and then, being thirsty, drinks at the fountain in the legend of Prometheus. The wine of the Hellenic and Latin myth corresponds to the inebriating drink or somas in which Indras delights so much in the Ṛigvedas. The ass bears the drunken Silenos on its back.
The sun, who in the cloud is covered with the skin of an ass, carries the rain; whence the Greek proverb the ass is wetted by the rain ("Onos hüetai"), and the popular belief that when the ears of the ass or of a satyr (that is to say, of the ass itself) move, it is an indication of rainy weather (or dew). When the sun comes out of the shadows of night, he drinks the milk or white humour of the early morning sky, the same white foaming humour which caused the birth of Aphroditê, the same humour out of which, by the loves of Dionysos (or of Pan, of a satyr, or of the ass itself) and Aphroditê, the satyr was procreated—Priapos, whose phallic loves are discovered by the ass. The satyr serves as a link between the myth of the ass and that of the goat. On this account (that is, on account of the close relation between the mythical ass and the mythical goat) two ancient Greek and Latin proverbs—i.e., to dispute about the shadow of the ass ("Peri onou skias") and to dispute, "De lana caprina"—have the same meaning, a dispute concerning a bagatelle (but which is no trifle in the myth, where the skin of the goat or of the ass is sometimes changed into a golden fleece), which seems so much the more probable, as the Greeks have also handed down to us another proverb in which the man who expects to reap where he has not sown is laughed at as one who looks for the wool of the ass ("Onou pokas zêteis"), or who shears the ass ("Ton onon keireis"). We have seen, in the myth of Midas, the king, whose ears, when combed, betray his asinine nature. The Piedmontese story of the maiden on whose forehead a horn or an ass's tail grows, because she has badly combed the good fairy's head, is connected with this story of the combing of the long-eared Midas. The combed ass and the sheared ass correspond with one another; the combed ass has golden ears, in the same way as gold and gems fall from the head of the good fairy combed by the good girl in the fairy tale. To this mythical belief, I think, may be traced the origin of the mediæval custom in the Roman Church, which lasted till the time of Gregory VII., in which public ovations were offered to the Pope, and an ass bearing money upon its head was brought before him.[740]
The shadow of the ass[741] betrays him, no less than his ears, his nose, and his braying. The shadow of the ass and his nose are found in connection with each other in the legend of the Golden Ass of Apuleius, which, after narrating how the ass, by putting his head out of the window, had betrayed his master the greengrocer or gardener (the friend of perfumes, "Gandharvas, asinus, in unguento, onos en müro"), concludes thus: "The miserable gardener having been found again, and taken before the magistrates to pay the fine, they lead him to a public prison, and with great laughter cease not, says the ass Lucius, to "make merry with my face;" whence also was derived the popular proverb concerning the face and shadow of the ass ('De prospectu et umbra asini')." The ass who betrays his master the greengrocer or gardener by his face is a variety of the ass who, dressed in the forest in the lion's skin[742] (like Hêraklês who goes into hell dressed in a lion's skin), betrays himself by his braying, and of the ass who discovers by his braying Priapos, who delights in gardens (the vulva), Priapos the gardener, like the ogre[743] of the Pentamerone, who finds before him in his garden a beautiful maiden.