The portraits of the Parsloes branch remained in the old Essex house until some thirty years ago, when they were removed to a town residence. They included Lady Fanshawe's portrait (reproduced here), the original of that engraved in her Memoirs in 1830 (by no means too faithfully); portraits of her husband Sir Richard, by Dobson [Footnote: An interesting portrait of Sir Richard in fancy dress by Dobson is at West Horsley Place.] and Lely; Sir Simon (the rake), with Naseby Field in the background: Sir Richard's grandfather, Thomas, Remembrancer to Queen Elizabeth; Alice, the second wife of Sir Richard's cousin, John of Parsloes (the daughter of his cousin Sir Thomas Fanshawe of Jenkins, and the mother-in-law of the Duke of Monmouth's half-sister, Mary Walter); Sir Richard's nephew, Thomas, the second Viscount (in breastplate and flowing wig), and his second wife, Lady Sarah, the daughter of Sir John Evelyn and widow of Sir John Wray. [Footnote: The ancient Lincolnshire family of Wray is mentioned in the Introduction of "King Monmouth" in connection with the remarkable portrait of the Duke after decapitation, which formerly was in the possession of Sir Cecil Wray. Since writing on this subject it occurs to me that it is very possible that the picture may have come originally to the Wrays through Lady Sarah Fanshawe, her husband being a cousin of the Duke's sister's second husband. Mary Fanshawe, nee Walter, it is very possible may have come into the possession of the portrait (perhaps after Henrietta, Lady Wentworth's death, for whom there is a tradition the picture was originally painted), and her straitened circumstances may have induced her to part with the work to the relatives of her kinswoman.]
The original MS. of the Memoirs (of which, thanks to the courtesy of the owner, Mr. E. J. Fanshawe, I am able to give an illustration) is bound in old red leather, and bears the Fanshawe arms. It was written in 1676 for Lady Fanshawe's "most dear and only" surviving son. This Sir Richard, the second Baronet, died in Clerkenwell in July 1694, having some years previously had the misfortune through illness to become deaf and dumb.
Comment at various times has been made upon the inaccuracy of the printed Memoirs, but judging from a personal inspection of the original, there appear to be but few serious errors. [Footnote: "Turning" for "Trimming instruments" (in Lady Anne's will), and such like slips. See p. 29.]
It must, however, be pointed out that the editor, Sir Harris Nicholas, only used a COPY of the Memoirs which was made from the original in 1766 by Charlotte Colman, Lady Fanshawe's great grand-daughter. The editor's transcript, though made ten years later, was not published until half a century afterwards. [Footnote: Vide Preface of 1830 Edition.] I draw attention to this fact as the Rev. T. L. Fanshawe, the grandfather of the present owner of the MS., was under the impression that his original Memoirs when lent to a friend had been copied and printed without permission, which in the face of the above statement could not have been the case. [Footnote: I have been indebted to Mr. Walter Crouch, Mr. R. T. Andrews, and to Mr. H. W. King's Notes on the Fanshawe Family, 1868-72, for some of the above information.]