CHAPTER II
THE CRUEL ENLIGHTENMENT

Grandmother Derwent had contrived to purchase implements for spinning and weaving the coarse cloth, which constituted the principal clothing of the settlers. The inhabitants gave her plenty of work, and produce from her farm supplied her household with grain and vegetables.

Even the little girls, who under many circumstances would have been a burden, were in reality an assistance to her.

Jane was a bright and beautiful child, with dark silky hair, pleasant eyes, and lips like the damp petals of a red rose. She was, withal, a tidy, active little maiden, and, as Mrs. Derwent was wont to say, “saved grandma a great many steps” by running to the spring for water, winding quills, and doing what Miss Sedgwick calls the “odds and ends of housework.”

Jane led a pleasant life on the island. She was a frank, mirthful creature, and it suited her to paddle her canoe on the bosom of the river, or even to urge it down the current, when “grandma” wanted a piece of cloth carried to the village, or was anxious to procure tea and other delicacies for her household.

When Mrs. Derwent’s quill-box was full, and “the work all done up,” Jane might be found clambering among the wild rocks, which frowned along the eastern shore, looking over the face of some bold precipice at her image reflected in the stream below; or, perchance, perched in the foliage of a grape-vine, with her rosy face peering out from the leaves, and her laugh ringing merrily from cliff to cliff, while her little hands showered down the purple clusters to her sister below.

Such was Jane Derwent, at the age of fourteen; but poor little Mary Derwent! nature grew more and more cruel to her. While each year endowed her sister with new beauty and unclouded cheerfulness, she, poor delicate thing, was kept instinctively from the notice of her fellow-creatures. The inmates of that little cabin could not bear that strange eyes should gaze on her deformity—for it was this deformity which had ever made the child an object of such tender interest.

From her infancy the little girl had presented a strange mixture of the hideous and the beautiful. Her oval face, with its marvellous symmetry of features, might have been the original from which Dubufe drew the chaste and heavenly features of Eve, in his picture of the “Temptation.” The same sweetness and purity was there, but the expression was chastened and melancholy. Her soft blue eyes were always sad, and almost always moist; the lashes drooped over them, an expression of languid misery. A smile seldom brightened her mouth—the same mournful expression of hopelessness sat forever on that calm, white forehead; the faint color would often die away from her cheek, but it seldom deepened there.

Mary was fifteen before any person supposed her conscious of her horrible malformation, or was aware of the deep sensitiveness of her nature. The event which brought both to life occurred a few years after the death of her father. Both the children had been sent to school, and her first trial came on the clearing, before the little log schoolhouse of the village. Mary was chosen into the centre of the merry ring by Edward Clark, a bright-eyed, handsome boy, with manners bold and frank almost to carelessness.

The kind-hearted boy drew her gently into the ring, and joined the circle, without the laugh and joyous bound which usually accompanied his movements. There was an instinctive feeling of delicacy and tenderness towards the little girl which forbade all boisterous merriment when she was by his side. It was her turn to select a partner; she extended her hand timidly towards a boy somewhat older than herself—the son of a rich landholder in the valley; but young Wintermoot drew back with an insulting laugh, and refused to stand up with the hunchback.