The two children sat up that night watching by the sick, and waiting for the father to return, who lay so cold and still upon the sodden timber of that dismal pier. They had eaten nothing all day—at least Mary had not—and now they cut the sixpenny loaf in slices and partook of it, leaving a small covered dish, which had been prepared for Chester, untouched. His supper was sacred to those little girls. Hungry and worn-out as they were, neither of them even once glanced at it longingly. They were quite content with the dry bread, and even ate of that sparingly, for Mrs. Chester had asked for ice, and various little things in her delirium—she was delirious then—and the children ran out after everything she mentioned, hoping to relieve the terrible state she was in, till they had but one shilling left.

So they made a sparing meal of the bread—those poor little creatures—and a cup of cold water, for the tea must be saved for him and for her. "Children," they said, with tears in their eyes, "ought not to want such things."

With all her brave effort to sit up till her father came, poor little Isabel dropped to sleep with her head upon the table, weary and almost heartbroken, for she was not used to suffering like Mary Fuller, and her childish strength yielded more readily. After this, Mary sat watching quite alone, for Mrs. Chester had muttered herself into a feverish sleep, and the house was in profound silence.

Then came upon Mary Fuller a terrible sense of the desolation that had overtaken them. Dark and shadowy thoughts swept over her soul, leaving it calm, but oh, how unutterably miserable. This foreshadowing of evil fastened upon her like a conviction. She felt in the very depths of her being that some solemn event was approaching its consummation that very moment. She ceased to listen for Chester's coming, but hushing her tread, as if in the close presence of death, crept away to a corner and prayed silently.

There are moments in human life when persons linked together in a series of events may form tableaux, which stand out from ordinary grouping, like an illustration stamped in strong light and shadow on the book of destiny. Thus was Chester's household revealed on that solemn midnight.

Mary Fuller, upon her knees, her small hands uplifted, her face turned to the wall; Isabel, with her lovely head pillowed on her arms; and, through an open door, Jane Chester, in her feverish sleep, with the pale lamplight glimmering over them all—this was one picture.

Another, equally distinct in its mournful outline, was revealed to the all-seeing One alone.

Upon that dark wharf, among the motionless ships, that seemed like spectres gazing upon his hushed agony, Chester still lay, shrouded by the heavy clinging fog. The tide rose slowly lapping the sodden timbers which formed his death-bed, and creeping upwards, inch by inch, like the weltering folds of a pall. The whisper of these waters, black and sluggish, gurgling and creeping toward him, was the last sound poor Chester ever heard on earth.

Oh, it was a wretched picture that might have won pity from the ghostlike shrouds and spars which hedged it in as with a forest of blasted trees.

One more picture, and the night closes. The Common Council was in session. Both marble wings of the City Hall were brilliantly illuminated, and crowds of eager spectators gathered around the two council chambers. Some fifty or sixty poor and efficient men were to be turned out of office, and the populace were eager to witness the jocose and delicate way in which the New York city fathers decapitated their children. To have witnessed the smiling jests that passed to and fro in the Board, the quiet and sneering pleasure of one man—the careless tone of another—the indifferent air of a third—you would have supposed that these wise men had met to perform some great public benefit. It seemed like a gala night, the majority were so full of generous glee.