CHAPTER XI

Near a fortnight had elapsed without producing any appearance of hostility from the marquis, when one night, long after the hour of repose, Julia was awakened by the bell of the monastery. She knew it was not the hour customary for prayer, and she listened to the sounds, which rolled through the deep silence of the fabric, with strong surprise and terror. Presently she heard the doors of several cells creak on their hinges, and the sound of quick footsteps in the passages—and through the crevices of her door she distinguished passing lights. The whispering noise of steps increased, and every person of the monastery seemed to have awakened. Her terror heightened; it occurred to her that the marquis had surrounded the abbey with his people, in the design of forcing her from her retreat; and she arose in haste, with an intention of going to the chamber of Madame de Menon, when she heard a gentle tap at the door. Her enquiry of who was there, was answered in the voice of madame, and her fears were quickly dissipated, for she learned the bell was a summons to attend a dying nun, who was going to the high altar, there to receive extreme unction.

She quitted the chamber with madame. In her way to the church, the gleam of tapers on the walls, and the glimpse which her eye often caught of the friars in their long black habits, descending silently through the narrow winding passages, with the solemn toll of the bell, conspired to kindle imagination, and to impress her heart with sacred awe. But the church exhibited a scene of solemnity, such as she had never before witnessed. Its gloomy aisles were imperfectly seen by the rays of tapers from the high altar, which shed a solitary gleam over the remote parts of the fabric, and produced large masses of light and shade, striking and sublime in their effect.

While she gazed, she heard a distant chanting rise through the aisles; the sounds swelled in low murmurs on the ear, and drew nearer and nearer, till a sudden blaze of light issued from one of the portals, and the procession entered. The organ instantly sounded a high and solemn peal, and the voices rising altogether swelled the sacred strain. In front appeared the Padre Abate, with slow and measured steps, bearing the holy cross. Immediately followed a litter, on which lay the dying person covered with a white veil, borne along and surrounded by nuns veiled in white, each carrying in her hand a lighted taper. Last came the friars, two and two, cloathed in black, and each bearing a light.

When they reached the high altar, the bier was rested, and in a few moments the anthem ceased. 'The Abate now approached to perform the unction; the veil of the dying nun was lifted—and Julia discovered her beloved Cornelia! Her countenance was already impressed with the image of death, but her eyes brightened with a faint gleam of recollection, when they fixed upon Julia, who felt a cold thrill run through her frame, and leaned for support on madame. Julia now for the first time distinguished the unhappy lover of Cornelia, on whose features was depictured the anguish of his heart, and who hung pale and silent over the bier. The ceremony being finished, the anthem struck up; the bier was lifted, when Cornelia faintly moved her hand, and it was again rested upon the steps of the altar. In a few minutes the music ceased, when lifting her heavy eyes to her lover, with an expression of ineffable tenderness and grief, she attempted to speak, but the sounds died on her closing lips. A faint smile passed over her countenance, and was succeeded by a fine devotional glow; she folded her hands upon her bosom, and with a look of meek resignation, raising towards heaven her eyes, in which now sunk the last sparkles of expiring life—her soul departed in a short deep sigh.

Her lover sinking back, endeavoured to conceal his emotions, but the deep sobs which agitated his breast betrayed his anguish, and the tears of every spectator bedewed the sacred spot where beauty, sense, and innocence expired.

The organ now swelled in mournful harmony; and the voices of the assembly chanted in choral strain, a low and solemn requiem to the spirit of the departed.

Madame hurried Julia, who was almost as lifeless as her departed friend, from the church. A death so sudden heightened the grief which separation would otherwise have occasioned. It was the nature of Cornelia's disorder to wear a changeful but flattering aspect. Though she had long been declining, her decay was so gradual and imperceptible as to lull the apprehensions of her friends into security. It was otherwise with herself; she was conscious of the change, but forbore to afflict them with the knowledge of the truth. The hour of her dissolution was sudden, even to herself; but it was composed, and even happy. In the death of Cornelia, Julia seemed to mourn again that of Hippolitus. Her decease appeared to dissolve the last tie which connected her with his memory.

In one of the friars of the convent, madame was surprized to find the father who had confessed the dying Vincent. His appearance revived the remembrance of the scene she had witnessed at the castle of Mazzini; and the last words of Vincent, combined with the circumstances which had since occurred, renewed all her curiosity and astonishment. But his appearance excited more sensations than those of wonder. She dreaded lest he should be corrupted by the marquis, to whom he was known, and thus be induced to use his interest with the Abate for the restoration of Julia.