As Vivaldi expressed his incredulity, however, he returned to examine the garment once more, when, as he raised it, he observed, what had before escaped his notice, black drapery mingled with the heap beneath; and, on lifting this also on the point of his sword, he perceived part of the habiliment of a monk! He started at the discovery, as if he had seen the apparition, which had so long been tempting his credulity. Here were the vest and scapulary, rent and stained with blood! Having gazed for a moment, he let them drop upon the heap; when Paulo, who had been silently observing him, exclaimed,
"Signor! that should be the garment of the demon who led us hither. Is it a winding-sheet for us, Maestro? Or was it one for the body he inhabited while on earth!"
"Neither, I trust," replied Vivaldi, endeavouring to command the perturbation he suffered, and turning from the spectacle; "therefore we will try once more to regain our liberty."
This was a design, however, beyond his accomplishment; and, having again attacked the door, raised Paulo to the grated window, and vociferated for release with his utmost strength, in which he was very ably seconded by Paulo, he abandoned, for the present, all further attempts, and, weary and desponding, threw himself on the ground of the dungeon.
Paulo bitterly lamented his master's rashness in penetrating to this remote spot, and bewailed the probability of their being famished.
"For, supposing, Signor, that we were not decoyed hither for plunder and butchery, and supposing that we are not surrounded by malicious spirits, which San Januarius forbid I should take upon me to affirm is impossible! supposing all this, Signor, yet still there remains almost a certainty of our being starved to death; for how is it possible that any body can hear our cries, in a place so remote from all resort, and buried, as one may say, under ground, as this is?"
"Thou art an excellent comforter," said Vivaldi, groaning.
"You must allow, Signor, that you are even with me," replied Paulo; "and that you are as excellent a conductor."
Vivaldi gave no answer, but lay on the ground, abandoned to agonizing thought. He had now leisure to consider the late words of the monk, and to conjecture, for he was in a mood for conjecturing the worst, that they not only alluded to Ellena, but that his saying "she had departed an hour ago," was a figurative manner of telling that she had died then. This was a conjecture which dispelled almost all apprehension for himself. He started from the ground, and paced his prison with quick and unequal steps; it was now no longer a heavy despondency that oppressed him, but an acute anxiety that stung him, and, with the tortures of suspense, brought also those of passionate impatience and horror concerning the fate of Ellena. The longer he dwelt upon the possibility of her death, the more probable it appeared. This monk had already forewarned him of the death of Bianchi; and when he recollected the suspicious circumstances which had attended it, his terrors for Ellena increased. The more he yielded to his feelings, the more violent they became, till, at length, his ungovernable impatience and apprehensions arose almost to frenzy.
Paulo forgot, for a while, his own situation in the superior sufferings of his master, and now, at least, endeavoured to perform the offices of a comforter, for he tried to calm Vivaldi's mind, by selecting the fairest circumstances for hope which the subject admitted, and he passed without noticing, or, if noticing, only lightly touched upon, the most prominent possibilities of evil. His master, however, was insensible to all he said, till he mentioned again the convent del Pianto; and this subject, as it seemed connected with the monk, who had hinted the fate of Ellena, interested the unhappy Vivaldi, who withdrew awhile from his own reflections, to listen to a recital which might assist his conjectures.