Vivaldi immediately departed for the villa. Paulo, as he danced joyfully along, expressed all the astonishment that filled his mind, as to the cause of their late imprisonment and escape; but Vivaldi, who had now leizure to consider the subject, could not assist him in explaining it. The only certainty that appeared, was, that he had not been confined by robbers; and what interest any person could have in imprisoning him for the night, and suffering him to escape in the morning, did not appear.
On entering the garden at Altieri, he was surprized to observe that several of the lower lattices were open at this early hour, but surprize changed to terror, when, on reaching the portico, he heard a moaning of distress from the hall, and when, after loudly calling, he was answered by the piteous cries of Beatrice. The hall door was fastened, and, Beatrice being unable to open it, Vivaldi, followed by Paulo, sprang through one of the unclosed lattices; when on reaching the hall, he found the house-keeper bound to a pillar, and learned that Ellena had been carried off during the night by armed men.
For a moment he was almost stupified by the shock of this intelligence, and then asked Beatrice a thousand questions concerning the affair, without allowing her time to answer one of them. When, however, he had patience to listen, he learned that the ruffians were four in number; that they were masked; that two of them had carried Ellena through the garden, while the others, after binding Beatrice to a pillar, threatening her with death if she made any noise, and watching over her till their comrades had secured their prize, left her a prisoner. This was all the information she could give respecting Ellena.
Vivaldi, when he could think coolly, believed he had discovered the instigators and the design of the whole affair, and the cause, also, of his late confinement. It appeared that Ellena had been carried off by order of his family, to prevent the intended marriage, and that he had been decoyed into the fort of Paluzzi, and kept a prisoner there, to prevent him from intercepting the scheme, which his presence at the villa Altieri would effectually have done. He had himself spoken of his former adventure at Paluzzi; and it now appeared, that his family had taken advantage of the curiosity he had expressed, to lead him into the vaults. The event of this design was the more certain, since, as the fort lay in the direct road to the villa Altieri, Vivaldi could not go thither without being observed by the creatures of the Marchesa, who, by an artful manœuvre, might make him their prisoner, without employing violence.
As he considered these circumstances, it appeared certain, also, that father Schedoni was in truth the monk who had so long haunted his steps; that he was the secret adviser of his mother, and one of the authors of the predicted misfortunes, which, it seemed, he possessed a too certain means of fulfilling. Yet Vivaldi, while he admitted the probability of all this, reflected with new astonishment on the conduct of Schedoni, during his interview with him in the Marchesa's cabinet;—the air of dignified innocence, with which he had repressed accusation, the apparent simplicity, with which he had pointed out circumstances respecting the stranger, that seemed to make against himself; and Vivaldi's opinion of the confessor's duplicity began to waver. "Yet what other person," said he, "could be so intimately acquainted with my concerns, or have an interest sufficiently strong for thus indefatigably thwarting me, except this confessor, who is, no doubt, well rewarded for his perseverance? The monk can be no other than Schedoni, yet it is strange that he should have forborn to disguise his person, and should appear in his mysterious office in the very habit he usually wears!"
Whatever might be the truth as to Schedoni, it was evident that Ellena had been carried away by order of Vivaldi's family, and he immediately returned towards Naples with an intention of demanding her at their hands, not with any hope of their compliance, but believing that they might accidentally afford him some lights on the subject. If, however, he should fail to obtain any hint that might assist him in tracing the route she had been carried, he determined to visit Schedoni, accuse him of perfidy, urge him to a full explanation of his conduct, and, if possible, obtain from him a knowledge of Ellena's place of confinement.
When, at length, he obtained an interview with the Marchese, and, throwing himself at his feet, supplicated that Ellena might be restored to her home, the unaffected surprize of his father overwhelmed him with astonishment and despair. The look and manner of the Marchese could not be doubted; Vivaldi was convinced that he was absolutely ignorant of any step which had been taken against Ellena.
"However ungraciously you have conducted yourself," said the Marchese, "my honour has never yet been sullied by duplicity; however I may have wished to break the unworthy connection you have formed, I should disdain to employ artifice as the means. If you really design to marry this person, I shall make no other effort to prevent such a measure, than by telling you the consequence you are to expect;—from thenceforth I will disown you for my son."
The Marchese quitted the apartment when he had said this, and Vivaldi made no attempt to detain him. His words expressed little more than they had formerly done, yet Vivaldi was shocked by the absolute menace now delivered. The stronger passion of his heart, however, soon overcame their effect; and this moment, when he began to fear that he had irrecoverably lost the object of his dearest affections, was not the time, in which he could long feel remoter evils, or calculate the force of misfortunes which never might arrive. The nearer interest pressed solely upon his mind, and he was conscious only to the loss of Ellena.
The interview, which followed with his mother, was of a different character from that, which had occurred with the Marchese. The keen dart of suspicion, however, sharpened as it was by love and by despair, pierced beyond the veil of her duplicity; and Vivaldi as quickly detected her hypocrisy as he had yielded his conviction to the sincerity of the Marchese. But his power rested here; he possessed no means of awakening her pity or actuating her justice, and could not obtain even a hint, that might guide him in his search of Ellena.