The actual celebration of the Jubilee began with a solemn service in the Cathedral of Our Lady of Kazan, which everyone familiar with Petrograd remembers as one of the most beautiful of Russian churches. The vast building was packed to its utmost capacity, and that means a much larger crowd than in ordinary churches, since in Russia the congregation stands or kneels through the entire service. From my position I had a very good view of both the Emperor and the Tsarevitch, and I was puzzled to see them raise their heads and gaze long at the ceiling, but afterwards they told me that two doves had appeared and had floated for several minutes over their heads. In the religious exaltation of the hour this appeared to the Emperor a symbol that the blessing of God, after three

THE EMPEROR AND EMPRESS IN OLD SLAVONIC DRESS. 1913 JUBILEE.

THE INVALID EMPRESS ON HER BALCONY AT PETERHOF.

centuries, continued to rest on the House of Romanoff. There followed a long series of functions at the palace, with deputations coming from all over the Empire, the women appearing at receptions and dinners in the beautiful national dress, which were also worn by the Empress and her daughters. The Empress, for all her weariness, was regal in her richly flowing robes and long-veiled, high kokoshnik, the Russian national headdress, set with magnificent jewels. She also wore the wide-ribboned order of St. Andrew, which was her sole privilege to wear, and at the most formal of the state dinners she wore the most splendid of all the crown jewels. The young Grand Duchesses were simply but beautifully gowned on all occasions, and they wore the order of Catherine the Great, red ribbons with blazing diamond stars. The crowds were enormous in all the great state rooms, the Imperial Family standing for hours while the multitudes filed past with sweeping curtsies and low bows. So long and fatiguing were these ceremonies that at the end the Empress was literally too fatigued to force a smile. Poor little Alexei also, after being carried through the rooms and obliged to acknowledge a thousand greetings, was taken back to his room in a condition of utter exhaustion.

There were state performances at the theater and the opera, Glinka’s “Life for the Tsar” being sung to the usual tumult of applause and adulation, but for all that I felt that there was in the brilliant audience little real enthusiasm, little real loyalty. I saw a cloud over the whole celebration in Petrograd, and this impression, I am almost sure, was shared by the Empress. She told me that she could never feel happy in Petrograd. Everything in the Winter Palace reminded her of earlier years when she and her husband used to go happily to the theater together and returning would have supper in their dressing gowns before the fire talking over the events of the day and evening. “I was so happy then,” she said plaintively, “so well and strong. Now I am a wreck.”