To begin: "Dancing is such good exercise!" people say. Granted. Or at least it might be. But instead of night hours in a ball room, get on horseback for two hours in the open day, and then balance the profit and loss. You don't know how?—then learn. You have no horse? Go to riding school. An hour in the ring will stir your blood better than twenty Germans. But you "cannot afford" to take riding lessons.—Well to say nothing of ball dresses, just throw satin slippers and long gloves and carriage hire together, and see if you cannot afford it. Ay, and have a ticket now and then for some one poorer than yourself.
Then for people who live within reach of the opera, there is generally much other good music to be had, at far less expense and with none of the objections. And there again, the money and time spent at the opera, would train the voices at home into a lovely choir. Voices which now "have no time," and talents perhaps unknown.
"Everybody cannot sing."—No. And neither can everybody paint; but it is a delicious pleasure to those who can. What joy to go sketching! what delight to work up the sketches at home. What pure, noiseless, exquisite play it is. And if some of the party care nothing for pencils, let them lie under a tree with a book, and be part of your picture.
"Ah, books!—Of course you disapprove of novels,"—some one exclaims.
Indeed no. A good novel is very improving as well as refreshing. And after much study over that word "good" (that is, for us, worth reading) I can give no better meaning than this. A good book, whether novel or other, is one which leaves you further on than it took you up. If when you drop it, it drops you, right down in the same old spot; with no finer outlook, no cleared vision, no stimulated desires, it is in no sense a good book for you. As well make fancy loaves of sawdust, and label them "Good Bread"; and claim that you rise from the banquet refreshed.
A novel has special power of its own. It may be deeply historical, like "Waverly," and "The Tale of Two Cities." It may be a picture of vivid local colouring, like "Ivanhoe," or "Lorna Doone," or "Dr Antonio." It may be full of social hints and glimpses, with many a covert wise suggestion, like Miss Austin's "Emma." It may shew up a vital truth or a life-long mistake, like Miss Edgeworth's "Helen," or open out new natural scenes like the "Adventures of a Phaeton"; or life scenes, like "Oliver Twist"; or be so full of frolic and fun and sharp common sense, that the mere laughter of it does you good "like a medicine." Witness "Christie Johnstone," and Miss Carlen's "John." All such books are utterly helpful, and leave you well in advance of where they found you. They enlarge your world, they stimulate your life. Only read none that enlarge it by a peep through the gates of hell. On that side knowledge is death.
But how is one to tell? you ask. Books are not labelled "good," "bad," and "indifferent." No: and when you go to shops and houses you do not know what air you will find, perhaps not till you open the door. But you start back from one room, and hold your breath in another, hastening to get away; not because you have studied chemistry and can analyze the air, but because your keen physical sense is smitten. Keep your moral sense as fresh, as keen; and the moment you find foul air in a book, throw the book in the fire. Do not leave it about to poison some one else. And if you find no wholesome stir, no real refreshment, but only a feverish thirst beginning, lay the book down: remember, you are after recreation.
Re-creation,—the remaking and refitting of ourselves for better work, the resting for more labour, the learning, that we may grow thereby. That is what you profess to need, dear fellow Christians. Then seek it,—and take no makebelieve.
"Nothing left?"—Why the world is so full of delightful things to do, that one can but look at a quarter of them. They stand at my elbow ten deep. Books and music, and painting, and riding, and gardening, with all sorts of studies of the wonderful works of God. You are not shut up to novels. Books of art, books of travel, books of poetry, books of science. O how I have rested in the coolness of Longfellow's "Cathedral"; and with what delight seen Alpine heights with Ruskin.
Then there is that wonder of refreshment, the stereoscope. One comes back from a half hour there in a Swiss valley as into a new world, with the dust all blown away. A stereoscope costs little, and views are not expensive,—that is if you are content with one or two at a time, which is the real way to buy them; choosing, considering, carefully selecting only those you cannot possibly go home without! I know we began with six; those six sorted out with jealous care from the contents of many boxes; and by ones and twos the little collection has grown into something worth having. And if you turn over every lot of views you come across, you will often find one rare and fine and cheap, thrown in among the rubbish.