Than of your graces and your gifts to tell."
And through the patronage of this man--the gracious Earl of Southampton--the actor-author was first brought to the Queen's notice, finally leading to the present distinction at her hands.
Earl of Southampton
But now the stage compels attention. The silk curtains are withdrawn, disclosing a setting of such elaboration and illusion as never before has been witnessed by sixteenth century eyes. Never before has the frugal Elizabeth consented to such an expenditure for costumes, properties, lights, and music. In vain the audience awaits the coming of the author; he is behind the scenes, an anxious and watchful partner with the machinist in securing the proper working of these new mechanical appliances, and the smoothness of the scene shifting. The Queen is a connoisseur in these matters, and there must be no bungling.
The stage is divided horizontally between the roof and floor, the upper part concealed from the audience, while the lower section represents the interior of a royal palace at Athens. Three soundings of the cornet announce the opening of the play with its stately dialogue, in which Theseus, Duke of Athens, and Hippolyta, Queen of the Amazons, anticipate their approaching nuptials. Egeus enters with his daughter Hermia to bring complaint to the Duke that she will not marry Demetrius, the husband he has selected for her, but is bewitched with love for Lysander. The Duke reasons with Hermia; but the maiden is still obdurate and demands to know the worst that may befall if she refuses to wed Demetrius. The Duke pronounces sentence:--
"Either to die the death, or to abjure
Forever the society of men.
Therefore, fair Hermia, question your desires.
Know of your youth, examine well your blood,