"'Thirty-five years ago,' he continued, speaking still in that new unusual voice,—`thirty-five years ago this very selfsame day, my Adelais died in my arms as the sun went down. Today, as the sun goes down, I shall die also.'
"Surely," cried I, "this is a very singular incident! Does it not seem so to you! This evening, then, was actually the anniversary of poor Miss Cameron's death! How strange!"
"It certainly appeared so to me at first," he rejoined. "But when my mind reverted to it afterwards, I thought it exceedingly probable that his own knowledge of the fact had itself hastened his end, for he had no doubt been long brooding over it, and maybe desired that his death should occur that particular day and hour. In his enfeebled condition, such a desire would have great physical effect; I have known several similar cases. But however that may have been, I of course have no certain means of deciding. I have already told you, that immediately on my entering his chamber in the afternoon, he expressed to me his conviction that tonight he should go to his `long rest,' and in the certainty of that conviction, related to me the story you have heard. But though it has been the necessary lot of my calling to be present at so many deathbeds, I never before witnessed a calmer or a more peaceful end than Stephen Gray's. In his changed face, in his watchful eyes, in every placid feature of his countenance, I beheld the quiet anticipation of that `long rest' about which he had spoken so contentedly an hour or two since.
"He took no further heed of me whatever,—I doubt if he was even aware of my presence. Wearily he laid his head back upon the white pillows I had placed in the armchair behind him, folded his hands together, and kept his eyes fixed steadfastly, and—I thought—even reverently, upon the setting sun that was now fast sinking like a globe of fire, towards the blue ridge of the Malvern hills, and my heart beat violently as I saw it touch the topmost peak. While I watched, there broke suddenly forth from between the low lines of sunset cloud, a long ray of golden light, that fell full on the uplifted face of the little old man. He did not turn his head, or shrink from its intense brightness, but his lips moved, though the utterance of the words he spoke was so broken and indistinct, that I stooped to hear them.
"'Adelais,—O my lost darling,—my Adelais,—let me come to thee and be beloved at last!'
" Then I looked again at the western sky, and saw that the sun had gone down."
Next morning I gathered my June roses and sweet jasmin, and took them over to the house of the little old man. I went upstairs into the darkened chamber where they had laid him, and bestowed the flowers reverently about the white-draped bed. All the wrinkles were wiped out of his pallid face now, and he looked so wondrously calm and peaceful, lying there with his closed eyelids and crossed hands, in the unbroken silence of the room, that the tears of pity I thought I should have wept at the sight never rose in my eyes; but instead, as I turned away, there came to my memory certain closing lines of a most beautiful poem, written not very long ago by a master-hand that surely held God's commission to write. It is a dead hand now, but the written words remain, and the singer herself has gone to the land of the Hereafter, where the souls of the poets float for ever in the full light of their recovered Godhead, singing such songs as mortal ear hath not yet heard, nor mortal heart conceived of. And the poem of which I spoke, has this ending:—
"`Jasper first,' I said,
`And second, sapphire; third, chalcedony.
The rest in order,—last, an amethyst."'
VII. The Nightshade
"But silence is most noble till the end."—Atalanta in Calydon.