In and out of Three Normandy Inns

by Anna Bowman Dodd

"It is quite the same—morally, only worse. For a man who robs the state robs everyone—including himself."

"That's true—perfectly true—and very well put." All the heads about the table nodded admiringly; their hostess had expressed the views of them all. The company was looking now at the gray beard with glistening eyes; he had proved himself master of the argument, and all were desirous of proving their homage. Not one of the nice ethical points touched on had been missed; even the women had been eagerly listening, following, criticising. Here was a little company of people gathered together from rustic France, meeting, perhaps, for the first time at this board. And the conversation had, from the very beginning, been such as one commonly expects to hear only among the upper ranks of metropolitan circles. Who would have looked to see a company of Norman provincials talking morality, and handling ethics with the skill of rhetoricians?

Most of our fellow-diners, meanwhile, were taking their coffee in the street. Little tables were ranged close to the house-wall. There was just room for a bench beside the table, and then the sidewalk ended.

"Shall you be going to the trial to-night?" courteously asked the merchant who had proven himself a master in debate, of Charm. He had lifted his hat before he sat down, bowing to her as if he had been in a ball-room.

"It will be fine to-night—it is the opening of the defence," he added, as he placed carefully two lumps of sugar in his cup.

"It's always finer at night—what with the lights and the people," interpolated the landlady, from her perch on the door-sill. "If ces dames wish to go, I can show them the way to the galleries. Only," she added, with a warning tone, her growing excitement obvious at the sense of the coming pleasure, "it is like the theatre. The earlier we get there the better the seat. I go to get my hat." And the door swallowed her up.

"She is right—it is like a theatre," soliloquized the merchant—"and so is life. Poor Filon!"

We should have been very content to remain where we were. The night had fallen; the streets, as they lost themselves in dim turnings, in mysterious alleyways, and arches that seemed grotesquely high in the vague blur of things, were filled for us with the charm of a new and lovely beauty. At one end the street ended in a towering mass of stone; that doubtless was the cathedral. At the right, the narrow houses dipped suddenly; their roof-lines were lost in vagueness. Between the slit made by the street a deep, vast chasm opened; it was the night filling the great width of sky, and the mists that shrouded the hill, rising out of the sleeping earth. There was only one single line of light; a long deep glow was banding the horizon; it was a bit of flame the dusk held up, like a fading torch, to show where the sun had reigned.

In and out of this dusk the townspeople came and went. Away from the mellow lights, streaming past the open inn doors, the shapes were only a part of the blur; they were vague, phantasmal masses, clad in coarse draperies. As they passed into the circle of light, the faces showed features we had grown to know—the high cheekbones, the ruddy tones, the deep-set, serious eyes, and firm mouths, with lips close together. The air on this hill-top must be of excellent quality; the life up here could scarcely be so hard as in the field villages. For the women looked less worn, and less hideously old, and in the men's eyes there was not so hard and miserly a glittering.

Almost all, young or old, were bearing strange burdens. Some of the men were carrying huge floral crosses; the women were laden with every conceivable variety of object—with candlesticks, vases, urns, linen sheets, rugs, with chairs even.