"Très bien très bien" said the curé, nodding his head in critical commendation. "It will be a little masterpiece. And now," waving his hand toward us, "what do you propose to do with these ladies while you are painting?"
"Oh, they can wander about," Renard replied, abstractedly. He had already reseated himself and had begun to ply his brushes; he now saw only Henri and the hilt of the sword he was painting in.
"I knew it, I could have told you—a painter hasn't the manners of a peasant when he's painting," cried the priest, lifting cane and hands high in air, in mock horror. "But all the better, all the better, I shall have you all to myself. Come, come with me. You can see the house later. I'll send for the gardener. It's too fine a day to be indoors. What a day, hein? Le bon Dieu sends us such days now and then, to make us ache for paradise. This way, this way—we'll go through the little door—my little door; it was made for me, you know, when the manoir was last inhabited. I and the children were too impatient—we suffered from that malady—all of us—we never could wait for the great gates yonder to be opened. So Monsieur de H—— built us this one." The little door opened directly on the road, and on the curé's house. There was a tangle of underbrush barring the way; but the curé pushed the briars apart with his strong hands, beating them down with his cane.
When the door opened, we passed directly beyond the roadway, to the steep steps leading to the church. The curé, before mounting the steps, swept the road, upward and downward, with his keen glance. It was the instinctive action of the provincial, scenting the chance of novelty. Some distant object, in the meeting of two distant roadways, arrested the darting eyes; this time, at least, he was to be rewarded for his prudence in looking about him. The object slowly resolved itself into two crutches between which hung the limp figure of a one-legged man.
"Bonjour, Monsieur le curé." The crutches came to a standstill; the cripple's hand went up to doff a ragged worsted cap.
"Good-day, good-day, my friend; how goes it? Not quite so stiff, hein—in such a bath of sunlight as this? Good-day, good-day."
The crutches and their burden passed on, kicking a little cloud of dust about the lean figure.
"Un peu cassé, le bonhomme" he said, as he nodded to the cripple in a tone of reflection, as if the breakage that bad befallen his humble friend were a fresh incident in his experience. "Yes, he's a little broken, the poor old man; but then," he added, quickly renewing his tone of unquenchable high spirits—"one doesn't die of it. No, one doesn't die, fortunately. Why, we're all more or less cracked, or broken up here."
He shook another laugh out, as he preceded us up the stone steps. Then he turned to stop for a moment to point his cane toward the small house with whose chimneys we were now on a level. "There, mesdames, there is the proof that more breaking doesn't signify in this matter of life and death, Tenez, madame—" and with a charming gesture he laid his richly-veined, strong old hand on my arm—a hand that ended in beautiful fingers, each with its rim of moon-shaped dirt; "tenez—figure to yourself, madame, that I myself have been here twenty years, and I came for two! I bought out the bonhomme who lived over yonder.
"I bought him and his furniture out. I said to myself, 'I'll buy it for eight hundred, and I'll sell it for four hundred, in a year.'" Here he laid his finger on his nose—lengthwise, the Norman in him supplanting the priest in his remembrance of a good bargain. "And now it is twenty years since then. Everything creaks and cracks over there: all of us creak and crack. You should hear my chairs, elles se cassent les reins—they break their thighs continually. Ah! there goes another, I cry out, as I sit down in one in winter and hear them groan. Poor old things, they are of the Empire, no wonder they groan. You should see us, when our brethren come to take a cup of soup with me. Such a collection of antiquities as we are! I catch them, my brothers, looking about, slyly peering into the secrets of my little ménage. 'From his ancestors, doubtless, these old chairs and tables, say these good frères, under their breath. And then I wink slyly at the chairs, and they never let on."