"That's what I'm thinking about. It must be something original, not poison nor drowning. I know; I'll have him turn sleepless, and get up—No, he'll be a sleep-walker. He must dream that her house is on fire, and get up to save her, and walk into the barn and be kicked to death by her pet horse. She'll find him there in the morning, when she goes to give him sugar." In the triumph of her lurid ending, Theodora made havoc of her pronouns.
Billy pondered on the situation, clasping his hands under his head and turning to face his friend.
"Um-m. That's not so bad," he said at length. "It might possibly happen, even if it isn't likely. I had an uncle that somnambulated, and he used to hide the sheets in an old carriage in the barn. I suppose he might just as well have gone into a stall. Well?"
"And the other men would marry the girls. This one, the dead one, would be dark and sallow, with high cheek-bones and a thin nose. The others would be more commonplace. I think I'd have them something like Hu and you."
"Thanks."
"Oh, I don't mean you are too common; but you aren't a bit like my ideal hero," Theodora said bluntly. "I like the dead one best. I always do in stories, if he's only hectic enough. I asked papa once what hectic meant, and you ought to have heard him laugh when I told him the reason I wanted to know."
"Great shame I'm not hectic!" Billy commented. "What about the girls?"
"One is light, with yellow hair and very much fun in her. She's the one the dead man likes. The other is tall and still and stately, like a lily, with soft, dark hair that droops and is caught up with rare old combs."
"How many?"
"Oh, one at a time, of course, only she has ever so many, all of them of old silver. Stop interrupting! She sways when she walks."