Brenton, afire with his message, self-forgetful, thrilling with the greatness of his theme, felt his congregation taking fire beneath him. For the hour, at least, there could be no question of his sincerity, of his belief in the gospel he was preaching, a simple gospel of generosity and love and of hard, ungrudging work for universal betterment. Into his last sentences, careless of self, he flung the outpourings of his very soul, and the quick sentences fell, one, and one, and one, into the hush made out of many minds sharing a common mood. Brenton felt it, and gave thanks. Here and now was his vindication, here at last the proof that he had not chosen his calling meanly, nor in all selfishness.
One after another, then, his congregation yielded to his sway. Last of them all to yield was Kathryn, sitting in a front pew and, after her custom, smiling up at him in an admiration which he had come to find galling in its emptiness of any meaning. But, at the last passionately fervent words, her blank smile faded and, for the first time in all his preaching, her face became overcast, intent. His sermon ended, Brenton bowed his head in a benediction which, in his heart, he sent most earnestly upon his wife. Perchance the selfsame hour that saw his self-vindication should also see the rending of the veil of non-comprehension which had fallen down between the two of them.
The luncheon hour, however, brought with it disillusion. Over the luncheon, Kathryn spoke.
"Scott," she asked her husband; "did you see me frowning at you, this morning, just as you were finishing?"
He looked up from his plate, the light of happiness already dimming a little in his eyes.
"I saw—" He hesitated. Then he said quite simply, "Yes."
"Did you know why?" Kathryn took another olive, as she spoke.
In total silence, he shook his head.
There was a little pause, while Kathryn's teeth met in the soft ripe olive. Then,—
"Well, it was this: that final gesture of yours is awfully effective. You know the one I mean, your hands shut on your stole just at your shoulders? I hate to have you give it up; but, really, I'm afraid you'll have to. In the long run, it is bound to get your stoles shabby, especially the white one; and, now I have all the—the little things to make, I can't keep embroidering new stoles. After this, when you see me making up the face I put on, this morning, you'll please remember it must be 'hands down'. Another olive? Take them away then, Mary."