"It is like her; she was always charming, and so thoughtful for others!" observed the count, as complacently as though this were an opinion he had been in the habit of expressing for years.

"You may well say charming," responded Madame de Fleury; "and what knowledge she possesses of all the requirements, the most subtle refinements of good society! What polished manners she has! What choice language she uses! What poetical expression she gives to her sentiments! I often forget myself when I am talking to her, and fancy that I am communicating with a person of the same standing as myself; and, without knowing what I am doing, I involuntarily treat her as an equal!"

"An equal? Of course, most certainly!" answered the countess, aghast.

The amazement of the count, Maurice, and Bertha, sealed their lips.

"Her taste, her talent, her invention is something almost supernatural," continued the marchioness, enthusiastically; for, now that she was launched upon her favorite theme, she had forgotten her haste. "She sees at a glance all the good points of a figure; she knows how to bring them out strongly; she discovers by intuition what is lacking, and dexterously hides the defects. I have seen her convert the veriest dowdy into an elegant woman. And, when she gets a subject that pleases her, she perfectly revels in her art. Look at this dress for instance,—see by what delicate combinations it announces the spring."

The marchioness was struck with the consternation depicted in the countenances of her visitors.

Bertha was the only one who could command sufficient voice to falter out, "That dress, then"—

"It is her invention," replied the marchioness, triumphantly. "Any one would recognize it in a moment, as coming from the hands of Mademoiselle Melanie. Though she has such wonderful creative fertility, her style is unmistakable. There was never mantua-maker like her!"

"A mantua-maker! a mantua-maker!" exclaimed the countess and her son at once, in accents of disgust and indignation.

"Ah, I see you do not like to apply that epithet to her, and you are right. She should not be designated as a mantua-maker, but a great artist,—a true artist,—a fairy, who, with one touch of her wand, can metamorphose and beautify and amaze!"