THE EMPTY PLACE.

It chanced that Bertha's letter to Maurice was posted the next morning without the knowledge of Count Tristan and his mother; not, however, through any preconcerted arrangement on the part of Bertha. Her character was so frank, so transparent,—her actions were always so unveiled,—her thoughts flowed in such an instinctive current toward her lips,—that the idea of concealment could have no spontaneous existence in her mind. She made no allusion to the letter until it was gone; but that was purely accidental, though not the less fortunate. Had Count Tristan been aware that such a letter had been written, it would never have reached its destination.

It was somewhat singular that the count, whose code of honor would have forced him to resent, at the sword's point, the faintest hint that he could be guilty of an unworthy action, would not have scrupled to intercept a letter, to distort a fact (we use the mildest phrase), to stoop to any deception, to be guilty of any treachery, if he were powerfully prompted by what he termed family considerations,—which simply meant his own personal interest.

He had determined to keep Maurice in ignorance of Madeleine's flight as long as possible, that the chances of discovering her retreat might be diminished; and great was the wily schemer's consternation when he learned that Bertha had unadvisedly frustrated his plans by writing to her cousin.

Madeleine's value had never been estimated to its just height until her place was empty. It is not in human nature to prize that which we possess to its full worth, until it is "lacked and lost!" Alas! in how many households there moves, with noiseless feet, some placid, patient, yet potent spirit, with hands ever ready to toil, or soothe; a smile ever kindled to comfort or encourage; a voice that "turns common words to grace," imparting hope and dispensing joy; a presence full of helpfulness and peace; a being, grown familiar to our eyes by every day's association, whom we carelessly greet, or jostle against unheeding, or thrust aside impatiently, never dreaming that our working-day mortal, could she cast off this garment of clay, would stand revealed one of God's holy messengers commissioned to minister!—that is, never until we suddenly find her place empty, yet trace the touch of her delicate fingers, the print of her light footsteps everywhere around us, and feel the dreary void made in our hearts by her absence, and recognize, too late, that we have entertained an angel unawares.

Throughout the Château de Gramont there was no one, save Count Tristan, who did not make some such reflection (though vague and undefined, perhaps) while thinking of Madeleine. The ancient domestics seemed completely lost without her guiding hand,—her spirit of order systematizing and lightening all their duties. Everything was in confusion, everything went wrong. Dearly as they loved her, they had never before realized that Mademoiselle Madeleine had been of so much importance and assistance to them all.

The countess missed her every moment; and, interested as were her regrets, they were not unmingled with some faint self-reproach when she remembered how lightly she had prized her services. The antiquated femme de chambre had never appeared so clumsy, purblind, and stupid; and the more her stately mistress chided her, the more bewildered Bettina became, the more blunders she committed.

Even a bearing as majestic as that of the noble lady could not neutralize the caricaturing effect of a robe pinned awry; curls with long straight ends standing out porcupine fashion; a cap obstinately bent upon inclining to one side; and a collar with a strong tendency to avoid a central position.

As for Bertha, naturally restless, excitable, and untutored in the art of calming the agitation of her mind by active employment, she could do nothing but wander in and out of her aunt's apartment; stand at the window watching for the postman, beating the devil's tattoo upon the panes; counting the hours, fretting over their insupportable length, and breaking out, at intervals, into piteous lamentations.