"My memory does not go back as far as that," said Kenwick. "I'm a child of the hour."
He was a man well on in the thirties, who looked as if he had lived hard; and since there was nothing in his chosen calling to account for such an impression, the observer was led to seek its origin in the realm of speculation. He had, to be sure, painted several good pictures, but that was ten years ago. Since then he had lived on his reputation, materially reinforced by a not inconsiderable income. As Pauline watched his face, it struck her that his smile, which she had always objected to, had grown positively glittering in its intensity. Uncle Dan, for his part, thought the young man seemed amusing, but he wished he had not happened to be old Stephen Kenwick's grandson.
"Then we may have you?" Geoffry was asking.
"I thought it was the poppies you wanted," said May, suspiciously.
"It is! it is!" cried Kenwick with fervour.
"But you make such a pretty setting," Daymond explained; "your dress, you know, and the general colour-scheme."
"What fun to be a colour-scheme," cried May. "Uncle Dan, do you think I might be a colour-scheme?"
"I don't know that you can help it," was Uncle Dan's rejoinder, intended to express a proper resignation, but betraying, quite unconsciously, an appreciation of more than the pale blue gown as a background.
Then Nanni, having returned to his post, was directed to row out a little from shore, and presently the two artists were at work, rapidly sketching in the bright figure with the slim black prow for a foil, and the silvery reaches of the lagoon beyond.
Uncle Dan was sitting in the chair where he could watch the faces of the young men. There was something in Kenwick's manner that antagonised him; it was, somehow, too appreciative.