The caller-out for the moment was a curly-headed lad of twenty, with a shrewd, good-humored face. He stood in a slouching attitude, one shoulder much higher than the other, and as he gave forth, in a singsong voice, his emphatic rhymed directions, his fingers played idly with the red-silk lacings of his brown flannel shirt. To an imaginative looker-on those idly toying fingers had an indefinable air of being very much at home with the trigger of the six-shooter at the lad's belt. So, at least, it struck Lem Keith.
"Swing him round for old Mother Flannigan!
You've swung him so nice, now swing him again, again!
On to the next, and swing that gent!
Now straight back, and swing your own man again!"
Tramp, tramp, tramp went the rhythmic feet; diddle-diddle-dee went the fiddles. There was not much talking among either dancers or sitters-out. Occasionally one of the babies in the adjoining bedroom waked and wailed, but on the whole they were well-behaved babies. There they lay on the bed, six in a row, while their mothers eagerly snatched their bit of pleasure at the cost of a night's sleep.
Lemuel Keith, joint host with his brother on this occasion, sat on a bench against the wall, contemplating with wonder the energy of these overworked women. Beside him sat the husband of one of them, a tall, gaunt ranchman, with his legs crossed, poising upon a bony knee an atom of humanity in a short plaided woollen frock.
"How old is your baby?" asked Lem, mindful of his duties as host.
"Four months," was the laconic reply; and as though embarrassed by the personal nature of the inquiry, the man rose and repaired to a remote corner, where he began a solemn waltz with his offspring in his arms.
It was an April evening, and the windows were open to the south. A cool night-breeze came in, grateful alike to dancers and lookers-on. Lem sat watching his twin brother Joe, who was taking his turn at the dance. Lem usually watched Joe when he had the chance; for if the brothers were bewilderingly alike in appearance, they were animated by a spirit so unlike, that Joe's every look and action was a source of interest to Lem. Indeed, it was his taste for Joe's society that had made a Colorado ranchman of him. Nature had intended Lemuel Keith for a student, and then, by a strange oversight, had made him the twin-brother of a fascinating daredevil for whom the East was too narrow.
Lem sat and watched Joe, and observed the progress of the dance, philosophizing over the scene in a way peculiar to himself. For his own part, he never danced if he could help himself, but he found the dancing human being a fruitful subject of contemplation. Joe's partner, in particular, amused and interested him. She was a rather dressy young person, with a rose-leaf complexion and a simpering mouth. Rose-leaf complexions are rare on the sun-drenched, wind-swept prairies, and the more effective for that. The possessor of this one, fully aware of her advantage, was displaying, for her partner's delectation, the most wonderful airs and graces. She glided about upon the points of her toes; she gave him her delicately poised finger-tips with a birdlike coyness which the glance of her beady black eyes belied. Joe was in his element, playing the bold yet insinuating cavalier.
Lem Keith found a fascination in this first ranch dance of his. He liked the heartiness of the whole performance; he enjoyed the sharp-cut individuality of the people, their eccentricities of costume and deportment; he was of too sensitive a fibre not to feel the dramatic possibilities of the occasion. "Tenderfoot" as he was, the fact could not escape him that a man in a flannel shirt, with a pistol at his belt,—and most of the men were thus equipped,—was more than likely to have a touch of lawlessness about him.