Christine, holding her violin with stiffened little fingers, stood pale and trembling before one of the most magnificent windows, speechless with wonder, gazing as if in a trance at this modern splendor of feminine attire, the like of which she had never conceived even in her wildest, most fantastic dreams.
Her heart contracted painfully. She thought of her mother and little sisters, freezing, half-starved, hopelessly expectant of Christmas, and her glorious eyes blurred with tears, as she remembered that she, as the bread-winner of the family, was not able to buy them anything for Christmas, not even bread enough to satisfy their hunger. For the first time in her life, she could not think of God and Heaven without bitterness for it seemed that he had indeed forsaken her and her family.
"O God, I thought I was doing my best," she stammered with burning tears running down her blanched face. "What have we done, that we of all others, should die of hunger?" The future stretched before her inner vision, a weary blank, lit by no ray of hope. Convulsively, she clutched the old violin, and wandered away, farther and farther into the raging storm, drifting wherever the wind blew, without aim and without purpose or hope.
The north wind in its increasing fury, commenced to batter tin roofs, chimney-tops, blinds, awnings, flag-poles, as if a giant hand were at work, while odds and ends of debris fell crashing into the streets to bury themselves in the drifts. Those unfortunates who were compelled to brave the elements, fought their way onward like wild beasts, cursing, shouting and screaming aloud.
Half-frozen, nearly blinded by the storm and the hail that cut her delicate face like a knife, Christine suddenly found herself before the open portal of a palatial house. Driven by a momentary impulse for shelter from the cold, penetrating blast, she entered. At once a ray of hope illumined her desolate face. Now, if she were to try once more, and sing for these rich people, warm and comfortable behind those windows!
Quickly she withdrew her violin from its battered case, and began in quivering tones to sing the Lorelei her father had taught her, before anyone was aware of her presence. The wonderful tones of her high soprano rang through the stately mansion, vibrating clear and penetrating all the rooms.
"Here, here, the impertinence!" cried the irritated porter, jumping out of his porter's lodge, pale with anger, and pointing to a sign conspicuously hanging in the entrance of the spacious porte-cochere. "How dare you, mean little baggage, you! Can't you see that beggers and organ-grinders are not allowed to enter here? Heh! screaming at the top of her voice in such weather! Get out! get out! quick! march!" His tone was sneering, and his lips curled contemptuously as he waved his hand disdainfully for her to leave the courtyard.
Greatly frightened and trembling in all her frozen little limbs, Christine was about to obey, and covered her violin, timidly looking at the porter's ugly red face, when suddenly a window on the first floor was flung open. The elegant form of a middle-aged man, with gold-rimmed eye-glasses, leaning out of the window, gave the porter so imperious a command to withdraw at once, that the startled man, hardly daring to lift his eyes to this illustrious personage, retired with many a bob and scrape to his porter's lodge.
Christine, greatly encouraged by this incident, and anxious to use the opportunity, began to sing anew; for she thought that if she won the favor of the man at the window, it must surely mean help for her sorely-tried family. So she sang the Lorelei again—sang overpoweringly those lovely, mystic notes—"Das hat mit threm singen die Lorelei gethan."
The superb sound burst forth from the little shivering form, rocked here and there by the raging storm, and seemed to breathe the longings and distress of a pure childish soul. This piteous appeal for help through the medium of Listz's greatest legendary love-song, was not without effect.