Right and left, as far as the eye could see, the shimmering surface of the lake, with its little, gently splashing wavelets, was covered with brightly colored crafts, every one an unique marvel of its kind.

There came splashing along a huge Easter egg, made up of lilies of the valley; here a pagoda of large sunflowers called forth the admiration of the delighted sightseers.

From the opposite shore there came floating a half opened Nautilus, out of which a green-clad naiad cast coquettishly her golden net, trying to catch some inexperienced young fish in her golden meshes. Nearby sailed a sleeping beauty (though rather wide awake) embowered enchantingly in clusters of American Beauties, looking in all directions for her enchanted Prince to appear and make ardent love to her.

Suddenly there came, as if by magic, a gondola from the other side of the lake; it was gorgeously decorated, shining brightly in the brilliant afternoon sun. This floating work of art was made of lotus flowers, over which a canopy of glittering, diaphanous material was hanging, presumably as a suitable background for a lady now the cynosure of all eyes. She was of such entrancing beauty that all who beheld her sat spellbound and actually forgot to applaud, according to the customary greeting to newcomers, scarcely knowing which to admire first; the magnificent craft, so artistically constructed, or the dazzling apparition within.

Amazed and speechless, the distinguished gathering gazed at her. "Who is she?" they whispered to each other. Her name was not on the list of nobilities. Nobody knew anything about her, but she was gorgeously dressed, her costume representing that of Cleopatra, made up of pale green crepe de chine, covered with little amorettes of silver pearls, which hung loosely in artistic folds about the luxurious outlines of her bewitching form. Long flaxen hair, artistically arranged, set off with diamond sparks, fell about her, and shone like molten gold in the setting sun. It was supposed to be a real reproduction, according to ancient pictures, of the flirtatious Queen of Egypt, seen in the art galleries of Florence, Genoa and Rome. Her large black eyes held a singular fascination in their sparkling depths, which if once looked into, fastened themselves upon the imagination of man to be forgotten no more.

At the sight of all these splendors amid such exclusive surroundings, she looked with a frightened stare into space, as if she were a newcomer, a stranger in this atmosphere of wealth and distinction. Her features were rigid and white, and she seemed fascinated, dumb with admiration at the sight of the splendid surroundings. For this reason, she had failed to notice the sensation her beauty had aroused among the masculine sightseers.

A slender man, with deep set eyes, and thin and bloodless lips tightly pressed together, sat in an unpretentious little boat a short distance away, murmuring grimly unintelligible words to himself. She caught sight of him and sent him a friendly glance and a smile similar to the greeting of well-known friends. He did not lose sight of her for a moment, but almost devoured her with his eyes.

With feverish eagerness he followed her every movement, knitting his brows threateningly when any boat of the Viennese "Jeunesse doree" came with admiring curiosity too near to her's. In his jealous rage he felt like driving all of them from the spot.

He began to reproach himself for having yielded to her cajoling entreaty to be allowed to take part in the festivity.