"There is no Death. What seems so is Transition.
This life of mortal breath
Is but the suburbs of that Life Elysian,
Whose portals we call Death." [2]
The next day Father Fabian, in the presence of a few poor neighbors, performed the last touching rites of the Church over the inanimate body of old Mabel—the body which, "sown in dishonor, would be raised in honor" to eternal life. May walked beside the coffin as it was borne to the grave, nor left the spot until the last clod of earth was thrown on it; then, when it was deserted by all else, as constant in death as she had been in life, she kneeled down beside it, and offered up fervent prayers for her eternal repose.
[1] Herbert.
[2] Longfellow.
CHAPTER XVII.
REMORSE.
It was near day-dawn. A splendid carriage, drawn by a span of thorough-paced horses, whose black coats shone in the moonlight like jet, while they champed their silver bits, and blew the white froth with the breath of their proud nostrils out like spray over the rich trappings of their harness, rolled with a rapid, but almost noiseless motion, through one of the broad streets of a fashionable quarter of the city. The light which flickered down from the silver coach-lamps revealed magnificent hangings of brocade and velvet, looped back with twisted cords of silk and silver thread. The driver and footman were clad in livery which corresponded with the elegant style of the equipage. They turned in a broad, aristocratic-looking square, and drew up in front of a handsome and spacious mansion. The officious footman sprung to the pavement, swung back the carriage-door, and held out his gloved hand to assist a lady, who was within to get out.
"No need, sirrah," she said, haughtily, as she stepped lightly out, and ran up the broad marble steps of the mansion, where, heedless of her stainless and delicate gloves, she seized the bell-knob, and rung violently. During the few moments she waited for admission, her foot, clad in white satin, beat the threshold with a light, but restless motion. Her brocade-robe about which costly laces hung in gossamer clouds, rustled down in rich folds to the marble floor of the vestibule, while with every pulsation of her heart, and movement of her body, gems flashed out in the moonlight. Long, shining curls, slightly tossed by the night breeze, floated down over her cheeks and bosom, half concealing the rare beauty of her face. It was Helen! The door was at length opened, and attended by her drowsy maid, she hurried up to her chamber. It was a lofty, and beautifully proportioned room, filled with every thing the most luxurious fancy could desire, and arranged with fastidious taste and elegance. Flowers were heaped up in Eastern vases, near the open window, and deep-cushioned chairs, and softly pillowed lounges, covered with pale, saffron-colored silk, were arranged here and there throughout the gorgeous room. The low, and exquisitely carved French bedstead was half hidden by a flowing drapery of embroidered lace, which, depending from a small hoop of mother-of-pearl in the ceiling, hung like a tent over it. The toilette-table was elaborately furnished. Between its twisted rosewood pillars, which were inlaid with pearl, in graceful device, swung an immense oval mirror, set in a frame of the same materials. Near it stood a small marble table, supported by an alabaster Psyche, around which were strewn perfumes, jewel-cases, and various costly articles for toilette uses. On each side of the mirror projected gas-burners in the form of clusters of lilies—the flowers being of the purest porcelain, and the rest highly gilt and embossed. Helen threw herself down wearily in a large chair, while her maid turned up the light, which was burning dimly, to a brighter flame, which revealed more minutely the splendors of the room. Over the toilette-glass hung a picture—there were no others on the frescoed walls; it was set far back in a superb oval frame of ivory and gold, and as the brilliant glare of lights shot upwards, an exquisite painting of the Mater Dolorosa could be distinctly seen—a strange companion, or presiding genius, or ornament for the shrine for pride and vanity.
"You can go now, Elise," said Helen languidly.
"Shall I not undress madame's hair, and put her jewels away?" inquired the Frenchwoman with an air of amazement.