Hardly had the prince recovered his wonted frame of mind, after an event so pregnant with significance and agitation to him, when the time arrived for his induction into the priesthood. For this the rites, though simpler, were more solemn. The hair, which had been suffered to grow on the top of his young pate like an inverted brush, was now shorn close, and his eyebrows were shaven also. Arrayed in costly robes and ornaments, similar to those worn at a coronation, he was taken in charge by a body of priests at his father's palace, and by them conducted to the temple Watt P'hra Këau, his yellow-robed and barefooted escort chanting, on the way, hymns from the Buddhist liturgy. At the threshold of the temple another band of priests divested him of his fine robes and clad him in simple white, all the while still chanting. The circle being characteristic of a Buddhist ceremonial, as the cross is of their religious architecture, these priests formed a circle, standing, and holding lighted tapers in their folded palms, the high-priest in the centre. Then the prince advanced meekly, timidly, bowing low, to enter the holy ring. Here he was received by the high-priest, and with their hands mutually interfolded, one upon the other, he vowed to renounce, then and there, the world with all its cares and temptations, and to observe with obedience the doctrines of Buddha. This done, he was clad afresh in sackcloth, and led from the temple to the royal monastery, Watt Brahmanee Waid; with bare feet and eyes downcast he went, still chanting those weird hymns.
Here he remained recluse for six months. When he returned to the world, and to the residence assigned him, he seemed no longer the impressible, ardent boy who was once my bright, ambitious scholar. Though still anxious to prosecute his English studies, he was pronounced too old to unite with his brothers and sisters in the school. For a year I taught him, from seven to ten in the evening, at his "Rose-planting House"; and even from this distant place and time I look back with comfort to those hours.
XX. AMUSEMENTS OF THE COURT.
Of all the diversions of the court the most polite, and at the same time the most engrossing, is the drama.
In a great sala, or hall, which serves as a theatre, the actors and actresses assemble, their faces and bodies anointed with a creamy, maize-colored cosmetic. Fantastic extravagance of attire constitutes the great gun in their arsenal of attractions. Hence ear-rings, bracelets, massive chains and collars, tapering crowns with wings, spangled robes, curious finger-rings, and, strangest of all, long tapering nails of gold, are joined to complete their elaborate adornment. The play, in which are invariably enacted the adventures of gods, kings, heroes, genii, demons, and a multitude of characters mythical and fabulous, is often performed in lively pantomime, the interludes being filled by a strong chorus, with songs and instrumental accompaniment. At other times the players, in grotesque masks, give burlesque versions of the graver epics, to the great amusement of the audience.
Chinese comedies, termed Ngiu, attract the Siamese in crowds; but the foreign is decidedly inferior to the native talent. "Nang," so called, is a sort of tableau, masked, representing characters from the Hindoo mythology. Parts of the popular epic, Ramayana, are admirably rendered in this style. In front of the royal palace an immense transparent screen, mounted on great poles, is drawn across the esplanade, and behind this, at a moderate distance, great fires are lighted. Between the screen and the fire masked figures, grotesquely costumed, enact the story of Rama and Sita and the giant Rawuna, with Hanuman and his army of apes bridging the Gulf of Manaar and piling up the Himalayas, while the bards, in measured story, describe the several exploits.
A great variety of puppet-shows are contrived for the delectation of the children; and the Siamese are marvellously ingenious in the manufacture of toys and dolls, of porcelain, stone, wood, bark, and paper. They make pagodas, temples, boats, and floating houses, with miniature families to occupy them, and all true to the life in every apartment and occupation; watts, with idols and priests; palaces, with kings, queens, concubines, royal children, courtiers, and slaves, all complete in costume and attitude.
The royal children observe with grave formalities the eventful custom of "hair-cutting" for their favorite dolls; and dramas, improvised for the occasion by ingenious slaves, are the crowning glory of those high holidays of toddling princes and princesses.
The ladies of the harem amuse themselves in the early and late hours of the day by gathering flowers in the palace gardens, feeding the birds in the aviaries and the gold-fishes in the ponds, twining garlands to adorn the heads of their children, arranging bouquets, singing songs of love or glory, dancing to the music of the guitar, listening to their slaves' reading, strolling with their little ones through the parks and parterres, and especially in bathing. When the heat is least oppressive they plunge into the waters of the pretty retired lakes, swimming and diving like flocks of brown water-fowl.
Chess and backgammon, Chinese cards and dice, afford a continual diversion to both sexes at the court, and there are many skilful players among them. The Chinese have established a sort of "lottery," of which they have the monopoly. It is little better than a "sweat-cloth," with thirteen figures, on which money is staked at the option of the gambler. The winning figure pays its stake thirty-fold, the rest is lost.