But errors, that in time crept in, corrupted the pure doctrine, and disciples, ignorant or stupid, perverted its meaning and intent, and blind or treacherous guides led the simple astray, till at last the true and plain philosophy of Buddha became entangled with the Egyptian mythology.
Over the portal on the eastern facade of the Watt P'hra Këau is a bass-relief representing the Last Judgment, in which are figures of a devil with a pig's head dragging the wicked to hell, and an angel weighing mankind in a pair of scales. Now we know that in the mythology of ancient Egypt the Pig was the emblem of the Evil Spirit, and this bass-relief of the Siamese watt could hardly fail to remind the Egyptologist of kindred compositions in old sculptures wherein the good and bad deeds of the dead are weighed by Anubis (the Siamese Anuman or Hanuman), and the souls of the wicked carried off by a pig.
In the city of Arsinoe in Upper Egypt (formerly Crocodilopolis, now Medinet-el-Fayum), the crocodile is worshipped; and a sacred crocodile, kept in a pond, is perfectly tame and familiar with the priests. He is called Suchus, and they feed him with meat and corn and wine, the contributions of strangers. One of the Egyptian divinities, apparently that to whom the beast was consecrated, is invariably pictured with the head of a crocodile; and in hieroglyphic inscriptions is represented by that animal with the tail turned under the body. A similar figure is common in the temples of Siam; and a sacred crocodile, kept in a pond in the manner of the ancient Egyptians, is fed by Siamese priests, at whose call it comes to the surface to receive the rice, fruit, and wine that are brought to it daily.
The Beetle, an insect peculiarly sacred to the Buddhists, was the Egyptian sign of Phthah, the Father of Gods; and in the hieroglyphics it stands for the name of that deity, whose head is either surmounted by a beetle, or is itself in the form of a beetle. Elsewhere in the hieroglyphics, where it does not represent Buddha, it evidently appears as the symbol of generation or reproduction, the meaning most anciently attached to it; whence Dr. Young, in his "Hieroglyphical Researches," inferred its relation to Buddha. Mrs. Hamilton Gray, in her work on the Sepulchres of Etruria, observes: "As scarabæi existed long before we had any account of idols, I do not doubt that they were originally the invention of some really devout mind; and they speak to us in strong language of the danger of making material symbols of immaterial things. First, the symbol came to be trusted in, instead of the being of whom it was the sign. Then came the bodily conception and manifestation of that being, or his attributes, in the form of idols. Next, the representation of all that belongs to spirits, good and bad. And finally, the deification of every imagination of the heart of man,—a written and accredited system of polytheism, and a monstrous and hydra-headed idolatry."
Such is the religious history of the scarabæus, a creature that so early attracted the notice of man by its ingenious and industrious habits, that it was selected by him to symbolize the Creator; and cutting stones to represent it, [FOOTNOTE: Six rubies, exquisitely cut in the form of beetles, are worn as studs by the present King of Siam.] he wore them in token of his belief in a creator of all things, and in recognition of the Divine Presence, probably attaching to them at first no more mysterious import or virtue. There is sound reason for believing that in this form the symbol existed before Abraham, and that its fundamental signification of creation or generation was gradually overbuilt with arbitrary speculations and fantastic notions. In theory it degenerated into a crude egoism, a vaunting and hyper-stoic hostility to nature, which, though intellectually godless, was not without that universal instinct for divinity which, by countless ways, seeks with an ever-present and importunate longing for the one sublimated and eternal source from which it sprang.
Through twenty-five million six hundred thousand Asongkhies, or metempsychoses,—according to the overpowering computation of his priests,—did Buddha struggle to attain the divine omniscience of Niphan, by virtue of which he remembers every form he ever entered, and beholds with the clear eyes of a god the endless diversities of transmigration in the animal, human, and angelic worlds, throughout the spaceless, timeless, numberless universe of visible and invisible life. According to Heraclides, Pythagoras used to say of himself, that he remembered "not only all the men, but all the animals and all the plants, his soul had passed through." That Pythagoras believed and taught the doctrine of transmigration may hardly be doubted, but that he originated it is very questionable. Herodotus intimates that both Orpheus and Pythagoras derived it from the Egyptians, but propounded it as their own, without acknowledgment.
Nearly every male inhabitant of Siam enters the priesthood at least once in his lifetime. Instead of the more vexatious and scandalous forms of divorce, the party aggrieved may become a priest or a nun, and thus the matrimonial bond is at once dissolved; and with this advantage, that after three or four months of probation they may be reconciled and reunited, to live together in the world again.
Chow Khoon Sâh, or "His Lordship the Lake," whose functions in the Watt P'hra Këau I have described, was the High-Priest of Siam, and in high favor with his Majesty. He had taken holy orders with the double motive of devoting himself to the study of Sanskrit literature, and of escaping the fate, that otherwise awaited him, of becoming the mere thrall of his more fortunate cousin, the king. In the palace it was whispered that he and the late queen consort had been tenderly attached to each other, but that the lady's parents, for prudential considerations, discountenanced the match; "and so," on the eve of her betrothal to his Majesty, her lover had sought seclusion and consolation in a Buddhist monastery. However that may be, it is certain that the king and the high-priest were now fast friends. The latter entertained great respect for his reverend cousin, whose title ("The Lake") described justly, as well as poetically, the graceful serenity and repose of his demeanor.
Chow Khoon Sâh lived at some distance from the palace, at the Watt Brahmanee Waid. As the friendship between the cousins ripened, his Majesty considered that it would be well for him to have the contemplative student, prudent adviser, and able reasoner nearer to him. With this idea, and for a surprise to one to whom all surprises had long since become but vanities and vexations of spirit, he caused to be erected, about forty yards from the Grand Palace, on the eastern side of the Meinam, a temple which he named Rajah-Bah-dit-Sang, or "The King caused me to be built"; and at the same time, as an appendage to the temple, a monastery in mediaeval style, the workmanship in both structures being most substantial and elaborate.
The sculptures and carvings on the pillars and façades—half-fabulous, half-historical figures, conveying ingenious allegories of the triumph of virtue over the passions—constituted a singular tribute to the exemplary fame of the high-priest. The grounds were planted with trees and shrubs, and the walks gravelled, thus inviting the contemplative recluse to tranquil, soothing strolls. These grounds were accessible by four gates, the principal one facing the east, and a private portal opening on the canal.