Hand and Ring

by Anna Katharine Green

"And, perhaps, if it had really fallen to the lot of Mansell to confront her in the hut and listen to her words of adjuration and appeal, he might have been induced to consent to her wishes. But a detective sat there instead of her lover, and the poor woman lived to see the days go by without any movement being made to save Mr. Hildreth. At last—was it the result of the attempt made by this man upon his life?—she put an end to the struggle by acting for herself. Moved by a sense of duty, despite her love, she sent the letter which drew attention to her lover, and paved the way for that trial which has occupied our attention for so many days. But—mark this, for I think it is the only explanation of her whole conduct—the sense of justice that upheld her in this duty was mingled with the hope that her lover would escape conviction if he did not trial. The one fact which told the most against him—I allude to his flight from his aunt's door on the morning of the murder, as observed by her through the telescope—was as yet a secret in her own breast, and there she meant it to remain unless it was drawn forth by actual question. But it was not a fact likely to be made the subject of question, and drawing hope from that consideration, she prepared herself for the ordeal before her, determined, as I actually believe, to answer with truth all the inquiries that were put to her.

"But in an unexpected hour she learned that the detectives were anxious to know where she was during the time of the murder. She heard Hickory question Professor Darling's servant-girl, as to whether she was still in the observatory, and at once feared that her secret was discovered. Feared, I say—I conjecture this,—but what I do not conjecture is that with the fear, or doubt, or whatever emotion it was she cherished, a revelation came of the story she might tell if worst came to worst, and she found herself forced to declare what she saw when the clock stood at five minutes to twelve on that fatal day. Think of your conversation with the girl Roxana," he went on to Hickory, "and then think of that woman crouching behind the rack, listening to your words, and see if you can draw any other conclusion from the expression of her face than that of triumph at seeing a way to deliver her lover at the sacrifice of herself."

As Byrd waited for a reply, Hickory reluctantly acknowledged:

"Her look was a puzzler, that I will allow. She seemed glad——"

"There," cried Byrd, "you say she seemed glad; that is enough. Had she had the weight of this crime upon her conscience, she would have betrayed a different emotion from that. I pray you to consider the situation," he proceeded, turning to the District Attorney, "for on it hangs your conviction of her innocence. First, imagine her guilty. What would her feelings be, as, hiding unseen in that secret corner, she hears a detective's voice inquiring where she was when the fatal blow was struck, and hears the answer given that she was not where she was supposed to be, but in the woods—the woods which she and every one know lead so directly to Mrs. Clemmens' house, she could without the least difficulty hasten there and back in the hour she was observed to be missing? Would she show gladness or triumph even of a wild or delirious order? No, even Hickory cannot say she would. Now, on the contrary, see her as I do, crouched there in the very place before the telescope which she occupied when the girl came to the observatory before, but unseen now as she was unseen then, and watch the change that takes place in her countenance as she hears question and answer and realizes what confirmation she would receive from this girl if she ever thought fit to declare that she was not in the observatory when the girl sought her there on the day of the murder. That by this act she would bring execration if not death upon herself, she does not stop to consider. Her mind is full of what she can do for her lover, and she does not think of herself.

"But an enthusiasm like this is too frenzied to last. As time passes by and Craik Mansell is brought to trial, she begins to hope she may be spared this sacrifice. She therefore responds with perfect truth when summoned to the stand to give evidence, and does not waver, though question after question is asked her, whose answers cannot fail to show the state of her mind in regard to the prisoner's guilt. Life and honor are sweet even to one in her condition; and if her lover could be saved without falsehood it was her natural instinct to avoid it.

"And it looked as if he would be saved. A defence both skilful and ingenious had been advanced for him by his counsel—a defence which only the one fact so securely locked in her bosom could controvert. You can imagine, then, the horror and alarm which must have seized her when, in the very hour of hope, you approached her with the demand which proved that her confidence in her power to keep silence had been premature, and that the alternative was yet to be submitted to her of destroying her lover or sacrificing herself. Yet, because a great nature does not succumb without a struggle, she tried even now the effect of the truth upon you, and told you the one fact she considered so detrimental to the safety of her lover.

"The result was fatal. Though I cannot presume to say what passed between you, I can imagine how the change in your countenance warned her of the doom she would bring upon Mansell if she went into court with the same story she told you. Nor do I find it difficult to imagine how, in one of her history and temperament, a night of continuous brooding over this one topic should have culminated in the act which startled us so profoundly in the court-room this morning. Love, misery, devotion are not mere names to her, and the greatness which sustained her through the ordeal of denouncing her lover in order that an innocent man might be relieved from suspicion, was the same that made it possible for her to denounce herself that she might redeem the life she had thus deliberately jeopardized.

"That she did this with a certain calmness and dignity proves it to have been the result of design. A murderess forced by conscience into confession would not have gone into the details of her crime, but blurted out her guilt, and left the details to be drawn from her by question. Only the woman anxious to tell her story with the plausibility necessary to insure its belief would have planned and carried on her confession as she did.

"The action of the prisoner, in face of this proof of devotion, though it might have been foreseen by a man, was evidently not foreseen by her. To me, who watched her closely at the time, her face wore a strange look of mingled satisfaction and despair,—satisfaction in having awakened his manhood, despair at having failed in saving him. But it is not necessary for me to dilate on this point. If I have been successful in presenting before you the true condition of her mind during this struggle, you will see for yourself what her feelings must be now that her lover has himself confessed to a fact, to hide which she made the greatest sacrifice of which mortal is capable."