Instantly Mr. Byrd perceived that he should not be obliged to speak. Though the music, or possibly the words, struck her like a blow, it likewise served to recall her to herself. Dropping her gaze, which had remained fixed upon his own, she turned her face aside, saying with forced composure:
"This near contact with crime is dreadful." Then slowly, and with a quietness that showed how great was her power of self-control when she was not under the influence of surprise, she inquired: "And who do they think this person is? What name do they presume to associate with the murderer of this woman?"
With something of the feeling of a surgeon who nerves himself to bury the steel in his patient's quivering flesh, he gave his response unhesitatingly.
"A gentleman's, I believe. A young man connected with her, in some strange way, by financial interests. A Mr. Hildreth, of Toledo—Gouverneur Hildreth, I think they call him."
It was not the name she expected. He saw this by the relaxation that took place in all her features, by the look of almost painful relief that flashed for a moment into the eyes she turned like lightning upon him.
"Gouverneur Hildreth!" she repeated. And he knew from the tone that it was not only a different name from what she anticipated, but that it was also a strange one to her. "I never heard of such a person," she went on after a minute, during which the relentless mellow voice of the unconscious singer filled the room with the passionate appeal:
"Oh, what was love made for, if 't is not the same,
Through joy and through sorrow, through glory and shame!"
"That is not strange," explained Mr. Byrd, drawing nearer, as if to escape that pursuing sweetness of incongruous song. "He is not known in this town. He only came here the morning the unfortunate woman was murdered. Whether he really killed her or not," he proceeded, with forced quietness, "no one can tell, of course. But the facts are very much against him, and the poor fellow is under arrest."
"What?"
The word was involuntary. So was the tone of horrified surprise in which it was uttered. But the music, now swelling to a crescendo, drowned both word and tone, or so she seemed to fondly imagine; for, making another effort at self-control, she confined herself to a quiet repetition of his words, "'Under arrest'?" and then waited with only a suitable display of emotion for whatever further enlightenment he chose to give her.