"Oh, then you know who took it!" I broke in, in increasing astonishment. "I thought from your manner that—"
"No," he moodily corrected, "I do not know who took it. If I did, I should not be here. That is, I do not know the exact person. Only—" Here he again eyed me with his former singular intentness, and observing that I was nettled, made a fresh beginning. "When I came here, I brought with me a case of rarities chosen from my various collections. In looking over them preparatory to making a present to Gilbertine, I came across the little box I have just mentioned. It is made of a single amethyst and contains—or so I was assured when I bought it—a tiny flask of old but very deadly poison. How it came to be included with the other precious and beautiful articles I had picked out for her cadeau, I can not say; but there it was; and conceiving that the sight of it would please the ladies, I carried it down into the library and, in an evil hour, called three or four of those about me to inspect it. This was while you boys were in the billiard-room, so the ladies could give their entire attention to the little box which is certainly worth the most careful scrutiny.
"I was holding it out on the palm of my hand, where it burned with a purple light which made more than one feminine eye glitter, when somebody inquired to what use so small and yet so rich a receptacle could be put. The question was such a natural one I never thought of evading it, besides, I enjoy the fearsome delight which women take in the marvelous. Expecting no greater result than lifted eyebrows or flushed cheeks, I answered by pressing a little spring in the filigree-work surrounding the gem. Instantly, the tiniest of lids flew back, revealing a crystal flask of such minute proportions that the usual astonishment followed its disclosure.
"'You see!' I cried, 'it was made to hold that!' And moving my hand to and fro under the gas-jet, I caused to shine in their eyes the single drop of yellow liquid it still held. 'Poison!' I impressively announced. 'This trinket may have adorned the bosom of a Borgia or flashed from the arm of some great Venetian lady as she flourished her fan between her embittered heart and the object of her wrath or jealousy.'
"The first sentence had come naturally, but the last was spoken at random and almost unconsciously. For at the utterance of the word 'poison,' a quickly suppressed cry had escaped the lips of some one behind me, which, while faint enough to elude the attention of any ear less sensitive than my own, contained such an astonishing, if involuntary, note of self-betrayal that my mind grew numb with horror, and I stood staring at the fearful toy which had called up such a revelation of—what? That is what I am here to ask, first of myself, then of you. For the two women pressing behind me were—"
"Who?" I sharply demanded, partaking in some indefinable way of his excitement and alarm.
"Gilbertine Murray and Dorothy Camerden:"—his prospective bride and the woman I loved and whom he knew I loved, though I had kept my secret quite successfully from every one else!
The look we exchanged neither of us will ever forget.
"Describe the sound!" I presently said.
"I can not," he replied. "I can only give you my impression of it. You, like myself, fought in more than one skirmish in the Cuban War. Did you ever hear the cry made by a wounded man when the cup of cool water for which he has long agonized is brought suddenly before his eyes? Such a sound, with all that goes to make it eloquent, did I hear from one of the two girls who leaned over my shoulder. Can you understand this amazing, this unheard-of circumstance? Can you name the woman, can you name the grief capable of making either of these seemingly happy and innocent girls hail the sight of such a doubtful panacea with an unconscious ebullition of joy? You would clear my wedding-eve of a great dread if you could, for if this expression of concealed misery came from Gilbertine—"