The Circular Study

by Anna Katharine Green

"Tell your story more simply, Miss Butterworth. What first drew your attention to the house?"

"There! That is the second time you have had to remind me to be more direct. You will not have to do so again, Mr. Gryce. To begin, then, I noticed the house, because I always notice it. I never pass it without giving a thought to its ancient history and indulging in more or less speculation as to its present inmates. When, therefore, I found myself in front of it yesterday afternoon on my way to the art exhibition, I naturally looked up, and—whether by an act of providence or not, I cannot say—it was precisely at that instant the inner door of the vestibule burst open, and a young man appeared in the hall, carrying a young woman in his arms. He seemed to be in a state of intense excitement, and she in a dead faint; but before they had attracted the attention of the crowd, he had placed her on her feet, and, taking her on his arm, dragged her down the stoop and into the crowd of passers-by, among whom they presently disappeared. I, as you may believe, stood rooted to the ground in my astonishment, and not only endeavored to see in what direction they went, but lingered long enough to take a peep into the time-honored interior of this old house, which had been left open to view by the young man's forgetting to close the front door behind him. As I did so, I heard a cry from within. It was muffled and remote, but unmistakably one of terror and anguish: and, led by an impulse I may live to regret, as it seems likely to plunge me into much unpleasantness, I rushed up the stoop and went in, shutting the door behind me, lest others should be induced to follow.

"So far, I had acted solely from instinct; but once in that semi-dark hall, I paused and asked what business I had there, and what excuse I should give for my intrusion if I encountered one or more of the occupants of the house. But a repetition of the cry, coming as I am ready to swear from the farthest room on the parlor floor, together with a sharp remembrance of the wandering eye and drawn countenance of the young man whom I had seen stagger hence a moment before, with an almost fainting woman in his arms, drew me on in spite of my feminine instincts; and before I knew it, I was in the circular study and before the prostrate form of a seemingly dying man. He was lying as you probably found him a little later, with the cross on his breast and a dagger in his heart; but his right hand was trembling, and when I stooped to lift his head, he gave a shudder and then settled into eternal stillness. I, a stranger from the street, had witnessed his last breath while the young man who had gone out——"

"Can you describe him? Did you encounter him close enough for recognition?"

"Yes, I think I would know him again. I can at least describe his appearance. He wore a checked suit, very natty, and was more than usually tall and fine-looking. But his chief peculiarity lay in his expression. I never saw on any face, no, not on the stage, at the climax of the most heart-rending tragedy, a greater accumulation of mortal passion struggling with the imperative necessity for restraint. The young girl whose blond head lay on his shoulder looked like a saint in the clutch of a demon. She had seen death, but he—But I prefer not to be the interpreter of that expressive countenance. It was lost to my view almost immediately, and probably calmed itself in the face of the throng he entered, or we would be hearing about him to-day. The girl seemed to be devoid of almost all feeling. I should not remember her."

"And was that all? Did you just look at that recumbent man and vanish? Didn't you encounter the butler? Haven't you some definite knowledge to impart in his regard which will settle his innocence or fix his guilt?"

"I know no more about him than you do, sir, except that he was not in the room by the time I reached it, and did not come into it during my presence there. Yet it was his cry that led me to the spot; or do you think it was that of the bird I afterward heard shouting and screaming in the cage over the dead man's head?"

"It might have been the bird," admitted Mr. Gryce. "Its call is very clear, and it seems strangely intelligent. What was it saying while you stood there?"

"Something about Eva. 'Lovely Eva, maddening Eva! I love Eva! Eva! Eva!'"

"Eva? Wasn't it 'Evelyn? Poor Evelyn?'"