“Thank you; I have materials of my own,” said I, and hastened to open my bag and bring out the writing-case, which I always carried with me.
“Then I will leave you,” said she; and with a quick bend and a short, hurried look out of the window, she hastily quitted the room.
I could hear her steps cross the hall, go up two or three stairs, pause, go up the rest of the flight, pause again, and then pass on. I was left on the first floor alone.
XXVIII. A WEIRD EXPERIENCE
“Flat burglary as ever was committed.”
Much Ado about Nothing.
The first thing I did was to inspect with greater care the room in which I sat.
It was a pleasant apartment, as I have already said; square, sunny, and well furnished. On the floor was a crimson carpet, on the walls several pictures, at the windows, cheerful curtains of white, tastefully ornamented with ferns and autumn leaves; in one corner an old melodeon, and in the centre of the room a table draped with a bright cloth, on which were various little knick-knacks which, without being rich or expensive, were both pretty and, to a certain extent, ornamental. But it was not these things, which I had seen repeated in many other country homes, that especially attracted my attention, or drew me forward in the slow march which I now undertook around the room. It was the something underlying all these, the evidences which I found, or sought to find, not only in the general aspect of the room, but in each trivial object I encountered, of the character, disposition, and history of the woman with whom I now had to deal. It was for this reason I studied the daguerreotypes on the mantel-piece, the books on the shelf, and the music on the rack; for this and the still further purpose of noting if any indications were to be found of there being in the house any such person as Hannah.
First then, for the little library, which I was pleased to see occupied one corner of the room. Composed of a few well-chosen books, poetical, historical, and narrative, it was of itself sufficient to account for the evidences of latent culture observable in Mrs. Belden’s conversation. Taking out a well-worn copy of Byron, I opened it. There were many passages marked, and replacing the book with a mental comment upon her evident impressibility to the softer emotions, I turned towards the melodeon fronting me from the opposite wall. It was closed, but on its neatly-covered top lay one or two hymn-books, a basket of russet apples, and a piece of half-completed knitting work.
I took up the latter, but was forced to lay it down again without a notion for what it was intended. Proceeding, I next stopped before a window opening upon the small yard that ran about the house, and separated it from the one adjoining. The scene without failed to attract me, but the window itself drew my attention, for, written with a diamond point on one of the panes, I perceived a row of letters which, as nearly as I could make out, were meant for some word or words, but which utterly failed in sense or apparent connection. Passing it by as the work of some school-girl, I glanced down at the work-basket standing on a table at my side. It was full of various kinds of work, among which I spied a pair of stockings, which were much too small, as well as in too great a state of disrepair, to belong to Mrs. Belden; and drawing them carefully out, I examined them for any name on them. Do not start when I say I saw the letter H plainly marked upon them. Thrusting them back, I drew a deep breath of relief, gazing, as I did so, out of the window, when those letters again attracted my attention.