“But who is it? Who was it that spoke?”
“That we shall soon see.” And without waiting to meet, much less answer, my appealing look, he struck his hand against the door, and flung it wide open.
Instantly a flush of lovely color burst upon us. Blue curtains, blue carpets, blue walls. It was like a glimpse of heavenly azure in a spot where only darkness and gloom were to be expected. Fascinated by the sight, I stepped impetuously forward, but instantly paused again, overcome and impressed by the exquisite picture I saw before me.
“Her whole appearance was so startling, so extraordinary, that I held my breath in surprise”
Seated in an easy chair of embroidered satin, but rousing from her half-recumbent position, like one who was in the act of launching a powerful invective, I beheld a glorious woman. Fair, frail, proud, delicate; looking like a lily in the thick creamy-tinted wrapper that alternately clung to and swayed from her finely moulded figure; with her forehead, crowned with the palest of pale tresses, lifted and flashing with power; one quivering hand clasping the arm of her chair, the other outstretched and pointing toward some distant object in the room,—her whole appearance was so startling, so extraordinary, that I held my breath in surprise, actually for the moment doubting if it were a living woman I beheld, or some famous pythoness conjured up from ancient story, to express in one tremendous gesture the supreme indignation of outraged womanhood.
“Miss Mary Leavenworth,” whispered that ever present voice over my shoulder.
Ah! Mary Leavenworth! What a relief came with this name. This beautiful creature, then, was not the Eleanore who could load, aim, and fire a pistol. Turning my head, I followed the guiding of that uplifted hand, now frozen into its place by a new emotion: the emotion of being interrupted in the midst of a direful and pregnant revelation, and saw—but, no, here description fails me! Eleanore Leavenworth must be painted by other hands than mine. I could sit half the day and dilate upon the subtle grace, the pale magnificence, the perfection of form and feature which make Mary Leavenworth the wonder of all who behold her; but Eleanore—I could as soon paint the beatings of my own heart. Beguiling, terrible, grand, pathetic, that face of faces flashed upon my gaze, and instantly the moonlight loveliness of her cousin faded from my memory, and I saw only Eleanore—only Eleanore from that moment on forever.
When my glance first fell upon her, she was standing by the side of a small table, with her face turned toward her cousin, and her two hands resting, the one upon her breast, the other on the table, in an attitude of antagonism. But before the sudden pang which shot through me at the sight of her beauty had subsided, her head had turned, her gaze had encountered mine; all the horror of the situation had burst upon her, and, instead of a haughty woman, drawn up to receive and trample upon the insinuations of another, I beheld, alas! a trembling, panting human creature, conscious that a sword hung above her head, and without a word to say why it should not fall and slay her.
It was a pitiable change; a heart-rending revelation! I turned from it as from a confession. But just then, her cousin, who had apparently regained her self-possession at the first betrayal of emotion on the part of the other, stepped forward and, holding out her hand, inquired: