The Mystery of the Hasty Arrow

by Anna Katharine Green

A glance of extreme reproach; then these words, uttered with painful intensity:

"You want me to go back there—where I saw—where I can see again—I cannot. I'm not well. I suffer. You will excuse me. You will allow me to say what I have to say, here."

"I'm sorry, but I cannot do that. The others have gone without question to their places; why should not you?"

"Because——" The word came brokenly and was followed by silence. Then, seeing the hopelessness of contending with police authority, he cast another glance of strong repulsion in the direction of the gallery and started to his feet. Mr. Gryce did the same, and together they crossed the court. But they got no further at this time than the foot of the staircase. Coroner Price, by an extra effort which seemed to be called for by the circumstances, had succeeded in picking up a jury from the people collected on the street, and entering at this moment, created a diversion which effectively postponed the detective's examination of his new witness.

When the opportunity came for resuming it, so much time had elapsed that Mr. Gryce looked for some decided change in the manner or bearing of the man who, unfortunately for his purposes, had thus been given a quiet hour in which to think. Better, much better, for the cause of justice, if he could have pushed him to the point at once, harried him, as it were, in hot blood. Now he might find him more difficult.

But when, in company with the Coroner, who now found himself free to assist him in his hunt for witnesses, he reapproached the Englishman sitting as before alone on his bench, it was to find him to all appearance in the same mind in which he had left him. He wore the same look and followed with the same reluctance when he was made to understand that the time had now come for him to show just where he was standing when that arrow was sped on its death-course. And greatly impressed by this fact, which in a way contradicted all his expectations, Mr. Gryce trod slowly after, watching with the keenest interest to see whether, on reaching the top of the steps, this man upon whose testimony so much depended would turn toward the southern gallery where the girl had fallen, or toward the northern one, where Correy had found the bow.

It looked as if he were going to the left, for his head turned that way as he cleared the final step. But his body soon swayed aside in the other direction, and by the time the old detective had himself reached the landing, Travis, closely accompanied by the Coroner, had passed through the first of the three arches leading to that especial section of the gallery where the concealing tapestry hung.

"The man is honest," was Mr. Gryce's first thought. "He is going to show us the bow and confess to what was undoubtedly an accident." But Mr. Gryce felt more or less ready to modify this impromptu conclusion when, on passing through the arch himself he came upon the young man still standing in Section VI, with his eyes on the opposite gallery and his whole frame trembling with emotion.

"Is she—the young lady who was shot—still lying on those cold stones alone, forsaken and——"

Mr. Gryce knew misery when he saw it. This man had not overstated the case when he had said "I suffer." But the cause! To what could this excess of sensibility be attributed? To remorse or to an exaggerated personal repulsion? It looked like remorse, but that there might be no doubt as to this, Mr. Gryce hastened to assure the Englishman that on the departure of the jury the body had been removed to one of the inner rooms. The relief which this gave to Mr. Travis was evident. He showed no further reluctance to proceed and was indeed the first of the three to enter where the great drapery hung, flanked by the two immense vases. Would he pause before it or hurry by into the broad corridor in front? If he hurried by, what would become of their now secretly accepted theory?