"Then so do I," said I, for I was not deceived by his words. It was not to hold companionship with the dead, but with the living, that he chose to linger there. The churchyard is in a direct line with her house, and, sitting on the meeting-house steps one can get a very good view of the windows of her room.
"Very well," he sighed, and disdained to say more.
As for myself, I felt too keenly the weirdness of the whole situation to do more than lean my back against a tree and wait till his fancy wearied of the moonlight and silence. The stones about us, glooming darkly through the night, were not the most cheerful of companions, and when you add to this the soughing of the willows and the flickering shadows which rose and fell over the face of the meeting-house as the branches moved in the wind, you can understand why I rather regretted the hitherto gloomy enough hour we were accustomed to spend in the forest.
But Orrin seemed to regret nothing. He had seated himself where I knew he would, on the steps of the meeting-house, and was gazing, with chin sunk in his two hands, down the street where Juliet dwelt. I do not think he expected anything to happen; I think he was only reckless and sick with a longing he had not the power to repress, and I watched him as long as I could for my own inner sickness and longing, and when I could watch no longer I turned to the gnomish gravestones that were no more motionless or silent than he.
Suddenly I felt myself shiver and start, and, turning, beheld him standing erect, a black shadow against the moonlighted wall behind him. He was still gazing down the street but no longer in apathetic despair, but with quivering emotion visible in every line of his trembling form. Reaching his side, I looked where he looked, and saw Juliet—it must have been Juliet to arouse him so,—standing with some companion at the gate in the wall that opens upon the street. The next moment she and the person with her stepped into the street, and, almost before we realized it, they began to move towards us, as if drawn by some power in Orrin or myself, straight, straight to this abode of death and cold moonbeams.
It was not late, but the streets were otherwise deserted, and we four seemed to be alone in the whole world. Breathing with Orrin and almost clasping his hand in my oneness with him, I watched and watched the gliding approach of the two lovers, and knew not whether to be startled or satisfied when I saw them cross to the churchyard and enter where we had entered ourselves so short a time before. For us all to meet, and meet here, seemed suddenly strangely natural, and I hardly knew what Orrin meant when he grasped me forcibly by the arm and drew me aside into the darkest of the dark shadows which lay in the churchyard's farthest corner.
Not till I perceived Juliet and the Colonel halt in the moonlight did I realize that we were nothing to them, and that it was not our influence but some purpose or passion of their own which had led them to this gruesome spot.
The place where they had chosen to pause was at the grave of old Patience Goodyear, and from the corner where we stood we could see their faces plainly as they turned and looked at each other with the moonbeams pouring over them. Was it fancy that made her look like a wraith, and he like some handsome demon given to haunting churchyards? Or was it only the sternness of his air, and the shrinking timidity of hers, which made him look so dark and she so pallid.
Orrin, who stood so close to me that I could hear his heart beat as loudly as my own, had evidently asked himself the same question, for his hand closed spasmodically on mine, as the Colonel opened his lips, and neither of us dared so much as to breathe lest we should lose what the lovers had to say.
But the Colonel spoke clearly, if low, and neither of us could fail to hear him as he said: