This little book can do no more than humbly touch the fringe of a large subject; but if it leads the reader to a further study of this beautiful craft, it will have amply fulfilled its duty.
I must express my deep obligation to the magnificent volume on ivories by M. Emile Molinier, whose masterly arrangement of a very fragmentary and scattered subject is a model of lucidity; and also to Dr. Hans Graeven, whose scholarly researches and excellent photographs are indispensable for a real study of the craft.
A. M. Cust.
CONTENTS
| PAGE | |||
| List of Illustrations | [xiii] | ||
| Bibliography | [xvii] | ||
CHAPTER I. | |||
| Consular and other Secular Diptychs | [ 1] | ||
CHAPTER II. | |||
| Latin and Byzantine Ivories | [37] | ||
| I. | Latin and Latino-Byzantine and | ||
| the Early Byzantine Ivories | [37] | ||
| II. | Byzantine Caskets | [75] | |
| III. | The Byzantine Renaissance | [84] | |
CHAPTER III. | |||
| Lombardic, Anglo-Saxon, Carlovingian | |||
| and German Ivories | [96] | ||
| I. | Lombard Ivory Carvings | [96] | |
| II. | Anglo-Saxon Ivory Carvings | [99] | |
| III. | The Carlovingian Renaissance | [106] | |
| IV. | German Ivory Carving in the time | ||
| of the Ottos | [118] | ||
CHAPTER IV. | |||
| Romanesque and Gothic Ivories | [129] | ||
List of Diptychs | [157] | ||
| List of Places where Important Examples | |||
| of Ivories can be found | [165] | ||
| Index | [167] | ||