The girl bent her head to see. "'Copyright by Metropolitan Picture Service'," she read aloud. "Yes, that's what it means. When The Evening Star was owned by Mr. Magnus, he formed a separate company called the Metropolitan Picture Service, which supplied papers all over the country with a daily picture service, in mat form. But the picture syndicate was discontinued about five years ago when the paper was sold to its present owners."

"Are their files available?" Dundee asked.

"If they are, I don't know anything about it," the girl told him, and turned to another seeker after bound volumes of the paper.

"It doesn't matter," Dundee assured her, and asked for a sheet of blank paper, on which he quickly composed the following telegram, addressed to Penny Crain:

"PLEASE SEARCH FILES ALL THREE HAMILTON PAPERS WEEK OF MAY FOURTH TO ELEVENTH YEAR OF NINETEEN TWENTY TWO FOR STORY AND PICTURES ON SUICIDE ANITA LEE ARTISTS MODEL STOP SAY NOTHING TO ANYONE NOT EVEN SANDERSON IF HE IS THERE STOP WIRE RESULT"

In his hotel, while impatiently awaiting an answer from Penny, Dundee passed the time by scanning all the New York papers of Thursday and Friday, on the chance of meeting with significant revelations concerning the private life of Dexter Sprague or Juanita Leigh Selim united by death—in the press, at least. There was much space devoted to the theory involving the two New Yorkers with the murder of the racketeer and gambler, "Swallow-tail Sammy" Savelli, but only two pieces of information held Dundee's interest.

The first was a reminder to the public that certain theatrical columns of Sunday, February 9, had carried the rumor of Dexter Sprague's engagement to Dolly Martin, popular "baby" star of Altamont Pictures, and that the same columns of Tuesday, February 11, had carried Sprague's own denial of the engagement—Dolly having "nothing to say."

"So that is why Nita tried to commit suicide on February 9—and her attempted suicide, with its tragic consequences for Lydia Carr, is probably the reason Sprague gave up his movie star," Dundee mused. "Did Nita let him persuade her to go into the blackmail business, in order to hold his wandering, mercenary affections?... Lord! The men some women love!"

The second bit of information which the papers supplied him was winnowed by Dundee himself, from a news summary of Nita Leigh's last year of life as chorus girl, specialty dancer, "double" in pictures, and director of the Easter play at Forsyte-on-the-Hudson.

"If Nita got a divorce or even a legal separation from her husband after her talk with Gladys Earle a year ago, she got it in New York and so secretly that no New York paper has been able to dig it up," Dundee concluded. "And yet she had promised to marry Ralph Hammond!"