The word Aryan (Sanskrit, Arya), the oldest known name of the entire Indo-
European family, signifies well-born, and was applied by the ancient
Hindus to themselves in contradistinction to the rest of the world, whom
they considered base-born and contemptible.
In the country called Aryavarta, lying between the Himalaya and the Vindhya Mountains, the high table-land of Central Asia, more than two thousand years before Christ, our Hindu ancestors had their early home. From this source there have been, historically, two great streams of Aryan migration. One, towards the south, stagnated in the fertile valleys, where they were walled in from all danger of invasion by the Himalaya Mountains on the north, the Indian Ocean on the south, and the deserts of Bactria on the west, and where the people sunk into a life of inglorious ease, or wasted their powers in the regions of dreamy mysticism. The other migration, at first northern, and then western, includes the great families of nations in Northwestern Asia and in Europe. Forced by circumstances into a more objective life, and under the stimulus of more favorable influences, these nations have been brought into a marvelous state of individual and social progress, and to this branch of the human family belongs all the civilization of the present, and most of that which distinguishes the past.
The Indo-European family of languages far surpasses the Semitic in variety, flexibility, beauty, and strength. It is remarkable for its vitality, and has the power of continually regenerating itself and bringing forth new linguistic creations. It renders most faithfully the various workings of the human mind, its wants, its aspirations, its passion, imagination, and reasoning power, and is most in harmony with the ever progressive spirit of man. In its varied scientific and artistic development it forms the most perfect family of languages on the globe, and modern civilization, by a chain reaching through thousands of years, ascends to this primitive source.
CHINESE LITERATURE.
1. Chinese literature.—2. The Language.—3. The Writing.—4. The five
Classics and four Books.—5. Chinese Religion and Philosophy, Lao-tsé,
Confucius, Meng-tsé or Mencius.—6. Buddhism.—7. Social Constitution of
China.—8. Invention of Printing.—9. Science, History, and Geography.
Encyclopaedias.—10. Poetry.—11. Dramatic Literature and Fiction.—12.
Education in China.
1. CHINESE LITERATURE.—The Chinese literature is one of the most voluminous of all literatures, and among the most important of those of Asia. Originating in a vast empire, it is diffused among a population numbering nearly half the inhabitants of the globe. It is expressed by an original language differing from all others, it refers to a nation whose history may be traced back nearly five thousand years in an almost unbroken series of annals, and it illustrates the peculiar character of a people long unknown to the Western world.
2. THE LANGUAGE.—The date of the origin of this language is lost in antiquity, but there is no doubt that it is the most ancient now spoken, and probably the oldest written language used by man. It has undergone few alterations during successive ages, and this fact has served to deepen the lines of demarkation between the Chinese and other branches of the race and has resulted in a marked national life. It belongs to the monosyllabic family; its radical words number 450, but as many of these, by being pronounced with a different accent convey a different meaning, in reality they amount to 1,203. Its pronunciation varies in different provinces, but that of Nanking, the ancient capital of the Empire, is the most pure. Many dialects are spoken in the different provinces, but the Chinese proper is the literary tongue of the nation, the language of the court and of polite society, and it is vernacular in that portion of China called the Middle Kingdom.
3. THE WRITING.—There is an essential difference between the Chinese language as spoken and written, and the poverty of the former presents a striking contrast with the exuberance of the latter. Chinese writing, generally speaking, does not express the sounds of the words, but it represents the ideas or the objects indicated by them. Its alphabetical characters are therefore ideographic, and not phonetic. They were originally rude representations of the thing signified; but they have undergone various changes from picture-writing to the present more symbolical and more complete system.
As the alphabetic signs represent objects or ideas, it would follow that there must be in writing as many characters as words in the spoken language. Yet many words, which have the same sound, represent different ideas; and these must be represented also in the written language. Thus the number of the written words far surpasses that of the spoken language. As far as they are used in the common writing, they amount to 2,425. The number of characters in the Chinese dictionary is 40,000, of which, however, only 10,000 are required for the general purposes of literature. They are disposed under 214 signs, which serve as keys, and which correspond to our alphabetic order.
The Chinese language is written, from right to left, in vertical columns or in horizontal lines.