The heart of her feeling had always remained for him a mystery, and her acquiescence now might mean a great deal, everything, in fact, or it might mean only her gliding composure before a situation that she had power to form as she would. He could observe that her color rose. He knew that she blushed easily. He knew, too, that his own feeling was not hidden from her and that the blush might be for her recognition only; yet he was occupied with the most hopeful interpretations when the curtain rose. A moment after its rising Valerie heard him softly ejaculate, "I say!" She could have echoed the helplessly rudimentary, phrase. She, too, gazed, in a stupor of delight; a primitive emotion in it. The white creature standing there before them, with her forward poise, her downcast yet upgazing face, was her child. Valerie, since her return to her home, had given little time to analysis of her own feeling, the stress of her situation had been too intense for leisurely self-observation. But in the upwelling of a strange, a selfless, joy she knew, now, how often she had feared that all the joy of maternity was dead in her; killed, killed by Imogen.

The joy now was a passing ray. The happy confusion of admiration, wonder, and pride was blotted out by the falling gloom of reality. It was her child who stood there, but the bond between them seemed, but for the ache of rejected maternity at her heart, a pictorial one merely. Tears of bitterness involuntarily filled her eyes as she looked, and Imogen's form seemed to waver in a dim, an alien atmosphere.

When the curtain fell on the Antigone who kept her pose without a tremor, the uproar of applause was so great that it had to rise, not only twice, but three times. At the last, a faint wavering shook slightly the Antigone's sculptured stillness and poor old Oedipus rocked obviously upon his feet.

"What a shame to make her keep it up for so long!" murmured Sir Basil, his face suffused with sympathy. The symptom of human weakness was a final touch to the enchantment.

"Well, it makes one selfish, such loveliness!" said Mrs. Pakenham, flushed with her clapping. "Valerie, dear, she is quite too lovely!"

"Extraordinarily Greek, the whole thing," said Tom Pakenham; "the comparative insignificance of facial expression and the immense significance of attitude and outline."

"But the face!" Sir Basil turned an unseeing eye upon him, still wrapped, it was evident, in the vision that, at last, had disappeared. "The figure is perfect; but the face,—I never saw anything so heavenly."

Indeed, in its slightly downcast pose, the trivial lines of Imogen's nose and chin had been lost; the up-gazing eyes, the sweep of brow and hair, had dominated and transfigured her somewhat tamely perfect countenance.

"Do you know, I'm more afraid of her than ever," said Sir Basil to Valerie on their way home to tea, in the cab. "I wasn't really afraid before. I could have borne up very well; but now—it's like knowing that one is to have tea with a seraph."

Jack, Imogen, and Mary were not yet arrived when they reached the house; but by the time the tea was on the table and Valerie in her place behind the urn, they heard the cab drive up and the feet of the young people on the stairs.