It was characteristic of Augustine Channice, when he mused, to gaze straight before him, whatever the object might be that met his unseeing eyes. The object now was the high Autumnal sky outside, crossed only here and there by a drifting fleet of clouds.

The light fell calmly upon the mother and son and, in their stillness, their contemplation, the two faces were like those on an old canvas, preserved from time and change in the trance-like immutability of art. In colour, the two heads chimed, though Augustine's hair was vehemently gold and there were under-tones of brown and amber in his skin. But the oval of Lady Channice's face grew angular in her son's, broader and more defiant; so that, palely, darkly white and gold, on their deep background, the two heads emphasized each other's character by contrast. Augustine's lips were square and scornful; his nose ruggedly bridged; his eyes, under broad eyebrows, ringed round the iris with a line of vivid hazel; and as his lips, though mild in expression, were scornful in form, so these eyes, even in their contemplation, seemed fierce. Calm, controlled face as it was, its meaning for the spectator was of something passionate and implacable. In mother and son alike one felt a capacity for endurance almost tragic; but while Augustine's would be the endurance of the rock, to be moved only by shattering, his mother's was the endurance of the flower, that bends before the tempest, unresisting, beaten down into the earth, but lying, even there, unbroken.


II

he noise and movement of an outer world seemed to break in upon the recorded vision of arrested life.

The door opened, a quick, decisive step approached down the hall, and, closely following the announcing maid, Mrs. Grey, the local squiress, entered the room. In the normal run of rural conventions, Lady Channice should have held the place; but Charlock House no longer stood for what it had used to stand in the days of Sir Hugh Channice's forbears. Mrs. Grey, of Pangley Hall, had never held any but the first place and a consciousness of this fact seemed to radiate from her competent personality. She was a vast middle-aged woman clad in tweed and leather, but her abundance of firm, hard flesh could lend itself to the roughest exigences of a sporting outdoor life. Her broad face shone like a ripe apple, and her sharp eyes, her tight lips, the cheerful creases of her face, expressed an observant and rather tyrannous good-temper.

"Tea? No, thanks; no tea for me," she almost shouted; "I've just had tea with Mrs. Grier. How are you, Lady Channice? and you, Augustine? What a man you are getting to be; a good inch taller than my Tom. Reading as usual, I see. I can't get my boys to look at a book in vacation time. What's the book? Ah, fuddling your brains with that stuff, still, are you? Still determined to be a philosopher? Do you really want him to be a philosopher, my dear?"

"Indeed I think it would be very nice if he could be a philosopher," said Lady Channice, smiling, for though she had often to evade Mrs. Grey's tyranny she liked her good temper. She seemed in her reply to float, lightly and almost gaily above Mrs. Grey, and away from her. Mrs. Grey was accustomed to these tactics and it was characteristic of her not to let people float away if she could possibly help it. This matter of Augustine's future was frequently in dispute between them. Her feet planted firmly, her rifle at her shoulder, she seemed now to take aim at a bird that flew from her.

"And of course you encourage him! You read with him and study with him! And you won't see that you let him drift more and more out of practical life and into moonshine. What does it do for him, that's what I ask? Where does it lead him? What's the good of it? Why he'll finish as a fusty old don. Does it make you a better man, Augustine, or a happier one, to spend all your time reading philosophy?"