In the turmoil of his feeling, helpless astonishment, distrust indeed, yet a self-reproachful pity pervading it, Maurice almost gasped with relief at the change of topic. She was speaking on normal levels where he could breathe; she was smiling kindly, no longer with that over-significant sweetness that stung and bewildered, and with a comprehension of his pain, she had turned from it.

“Isn’t it appalling!” he laughed—he would have laughed at anything said in that normal voice—“it’s unfortunate weakness of his, that beating of dead lions, to which Felicia and I have to yield.” Angela also laughed. “My dear Maurice! I see it all. It is rather pretty. There’s a pathos in it, so far as you and she are concerned.”

“Of course, we were done with all that crude naturalism in the eighties,” Maurice said. “I am afraid Felicia and I find the grotesqueness of his attack painful rather than pretty or pathetic;” and with the relieved sense of respite, of free breathing, he humorously enlarged upon this grotesque side of the situation.

Meanwhile, at the other end of the table, Geoffrey and Felicia talked with their sense of peaceful confidence. That she made the music of his life, the sad yet stirring music, she could but know: how much she was its object she had not guessed. But the time seemed far away when she had seen his object as a rather pompous ambition, symbolized in her roguish imagination by a statesman statue with roll of papers in hand, and commanding brow, set high and overlooking conquered territory.

She had become rather indifferent to his objects, the man himself was so staunch, so living, so moving onward.

They talked now of slightest things, the slightness proving how far intimacy had travelled, comparing childish memories. It was pretty to glance down these innocent vistas in each other’s lives. Felicia told of the day when she had locked herself in the attic, intending to starve herself to death, in passionate resentment at some fancied wrong, and of how, unable to turn the key again when her fear overcame her longing for vengeance, too proud, in spite of fear to call for rescue, she had remained there through a night of lonely horror.

Geoffrey’s reminiscences of naughtiness were more staid. He had never been very passionate or resentful. “I was a conceited little beggar and always kept cool.” At a very early age, after a whipping from his mother, he had looked up at her, laughed and said, “Do you want to go on?” “I knew nothing would make her angrier: I must have been an exceedingly disagreeable child.”

Both Maurice and Angela, during pauses in the dinner-table talk, were conscious of this happy rivulet, Maurice listening and finding some of its peace, until, seeing that Angela also listened, his peace was jarred upon.

After dinner, in the drawing-room, Geoffrey again joined Felicia, and Maurice, making his way half automatically to Angela, who sat turning pages in a corner, felt a sharper pang of shame. That Angela should know Geoffrey’s secret was, in some inexplicable way, a baleful fact. He was conscious of a wish to ward off balefulness as he sat down beside her, and an impulse better than the merely self-protecting desire brought sudden, sincere words to his lips. “Angela, you have really forgiven me, haven’t you?” he said. If she had really forgiven him he was safe, Felicia and Geoffrey were safe; Angela herself was freed of that baleful aura which his own sick conscience cast around her. She had put away her book. The light was dim and her face in shadow. He could not see the expression upon it as she sat silent for some moments, her hands turning, mechanically and quickly, the fan upon her knee; suddenly they were quiet and she said: “I have forgiven you—if what you said was true.”

“True? How could it not be?” Maurice stammered, conscious at once that his impulse had been unwise.