They went from room to room, their arms around each other's waists. Madame von Marwitz cast her spell over Mrs. Barker in the kitchen, and smiled a long smile upon Rose, the housemaid. "Yes, yes, very nice, very pretty," she said, in the spare-room, the little dressing-room, the dining-room and kitchen. In Karen's room, with its rose-budded chintz and many photographs of herself, of Gregory, she paused and looked about. "Very, very pretty," she repeated. "You like bedsteads of brass, my Karen?"
"Yes, Tante. They look so clean and bright."
"So clean and bright. I do not think that I could sleep in brass," Madame von Marwitz mused. "But it is a simple child."
"Yes, that is just it, Tante," said Karen, smiling. "And I wanted to explain to you about the drawing-room. You see it is that; I am simple; not a sea-anemone of taste, like you. I quite well see things. I see that Les Solitudes is beautiful, and that this is not like Les Solitudes. Yet I like it here just as it is."
"Because it is his, is it not so, my child-in-love? Ah, she must not be teased. You can be happy, then, among so much brass?—so many things that glitter and are highly coloured?"
"Yes, indeed. And it is a pretty bedroom, Tante. You must say that it is a pretty bedroom?"
"Is it? Must I? Pretty? Yes, no doubt it is pretty. Yet I could have wished that my Karen's nest had more distinction, expressed a finer sense of personality. I imagine that every young woman in this vast beehive of homes has just such a bedroom."
"You think so, Tante? I am afraid that if you think this like everybody's room you will find Gregory's library even worse. You must see that now; it is all that you have not seen." Karen took her last bull by the horns, leading her out.
"Has it red wall-paper, sealing-wax red; with racing prints on the walls and a very large photograph over the mantelpiece of a rowing-crew at Oxford?" Madame von Marwitz questioned with a mixture of roguishness and resignation.
"Yes, yes, you wicked Tante. How did you know?"